Results
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£30.00La Musica Notturna Delle Strade di Madrid
DescriptionLuigi Boccherini was born in Lucca, Italy, into a musical family. His father, a cellist and double-bass player, sent him to study in Rome at a young age. In 1757 they both went to Vienna, where the court employed them as musicians in the Burgtheater. In 1761 Boccherini went to Madrid, entering the employ of Prince Luis Antonio of Spain, younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, which led to his immediate dismissal. Then he accompanied Don Luis to Arenas de San Pedro, a little town in the Gredos mountains, where Boccherini wrote many of his most famous works. Although neglected after his death and throughout the 19th and early 20th century (he was known mockingly as 'Haydn's Wife' for a time), Boccherini's music has been rediscovered in recent decades.La Musica Notturna delle Strade di Madrid('Night Music of the Streets of Madrid') is a string quintet of seven short movements composed during Boccherini's exile in Arenas, no doubt to remind him and his prince of happier times. The music is reminiscent of "the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical songs". This arrangement excludes the first and last two movements, comprising the middle four:Il Tamburo di Soldati(The Soldier's Drum)Minuetto dei Ciechi(The Minuet of the Blind Beggars)Il Rosario(The Rosary)Passe Calle(The Passacaglia of the Street Singers)The music was featured in the Russell Crowe filmMaster and Commander: The Far Side of the World(2003) set during the Napoleonic Wars and featuring the adventures of the Royal Navy ship HMS Surprise and her captain Jack Aubrey as they pursue the French ship Acheron into the Pacific Ocean.You can listen to an audio preview while following the score in the video below!Duration approximately 5'00".
Estimated dispatch 7-14 working days
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£12.00Ave Maria
DescriptionJohann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which approximately two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth. Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.Charles-Francois Gounod (1818 - 1893) was a French composer, best known for his Grand Operas, most famously 'Faust', written in 1859 and his 'St Cecilia Mass' written in 1854. However possibly his most performed work is his arrangement of the latin text Ave Maria based on a work by Bach.You can listen to a computer realisation of the score while following the music below:
Estimated dispatch 7-14 working days
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£25.00The Sunne Rising
DescriptionThe Sunne Rising was commissioned by Matthew Stringer, who gave the first performance to mark the wedding of his sister in 2009. The title is taken from the poem of the same name by the English metaphysical poet John Donne:'Love, all alike, no season knows nor clime,Nor hours, days, months, which are the rags of time.'- The Sunne Rising, By John Donne (1572-1631)To view a PDF preview of the score click here; to view the solo part click here.
Estimated dispatch 7-14 working days
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£30.00Edward Gregson: Music of the Angels, for Symphonic Brass and Percussion
DescriptionProgramme NoteMusic of the Angels is a dramatic work of some 16 minute's duration, scored for a large symphonic brass ensemble, including seven trumpets, and percussion. The percussion section deploys 'dark' instruments such as three tam-tams, a bass drum and two sets of timpani.The title of the work is based on a quotation from the Book of Revelations:And I saw the seven angels which stood before God; and to them were given seven trumpetsThus, the idea behind the work is a dramatic one and the composer has emphasised this by the partial spatial arrangement of the ensemble, with six solo trumpets standing centre stage, but behind the main ensemble, and the seventh trumpet off-stage throughout.The work opens with a four-note motif, dominant throughout the work, announced initially by four off-stage horns and answered by fanfare figures on four solo trumpets. Then in turn each of the first four solo trumpets announce their own cadenzas before joining together, independently playing their own music. This reaches an intense climax before subsiding into slow music which might be described as a Kyrie eleison - a lament for humanity - a cantilena for flugel horn and euphonium, accompanied by trombones. The drama soon returns with the entry of trumpets 5 and 6, playing music that is fast, more urgent and foreboding, and describing in musical terms the horsemen of the Apocalypse.At the climax of this section trumpet 7 enters dramatically, representing the words of the seventh angel ... and time shall be no more. The opening four-note motif is here transformed into a cadenza of epic proportions, to the partial accompaniment of three tam-tams (representing the Holy Trinity). The ensuing scherzo, scored for the ensemble, is fast and furious, but despite the somewhat desolate mood of this music (briefly interrupted by the re-appearance of trumpet 7), it slowly moves towards a more optimistic conclusion, transforming the 'lament for humanity' music into an affirmative and triumphant climax.This work has been commercially recorded on a critically acclaimed CD from London Brass on the Chandos label, available HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£45.00God Put a Smile Upon Your Face
ABOUT THIS PIECE: 'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical acclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 3-mins 30 secondEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£120.00
Apophenia - Peter Meechan
aApophenia is the experience of seeing patterns or connections in random or meaningless data.aApophenia is a trumpet concerto in three movements written for American trumpet virtuoso Rex Richardson. Each of the three movements features a different instrument; Movement 1 is for the Bb trumpet, the second is for flugel horn and trumpet, and the third is for trumpet and piccolo trumpet.Each of the three movements of Apophenia relate to the phenomenon of viewing Dark Side of the Rainbow - a name used to refer to the act of listening to the 1973 Pink Floyd album The Dark Side of the Moon whilst watching the 1939 film The Wizard of Oz, where moments where the film and the album appear to correspond with each other.Movement 1 is a fast a furious movement. Solo and ensemble interact at high tempo, swapping and creating new ideas, leading each other in new directions. Aside from the trumpet soloist, the kit player also acts as a quasi soloist.The second movement takes its musical inspiration from the Pink Floyd song Us and Them. It is during this segment of the film that some of the most amazing moments of connection happen.The final movement is a dance - and a tour de force for the soloist who begins on the Bb trumpet, before switching to the piccolo trumpet (or Eb trumpet) for the fast and furious finale. Many of the coincidences from Dark Side of the Rainbow relate to dancing, however, as long as a piece of music is the same tempo as the original, and the time signature is a regular one, this could be the case across most films. So the composer chose to write a dance that wouldn't synchronise to too many existing dance scenes!The soloist is free to improvise their own cadenza.Apophenia is dedicated to Rex Richardson.
Estimated dispatch 12-14 working days
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£60.00
Devil's Duel - Peter Meechan
Devilas Duel takes its inspiration from the story of the infamous Niccolo Paganini whose virtuosity was astounding. He began playing the violin at age seven, and by the age of 13 had the reputation of being the leading Italian violinist of his time. People began to speculate about Paganinias great talent, and began to wonder about his gift. He became known as a aHexensohna or witchas brat.Paganinias demonic reputation became so widespread that his talent was often attributed to the belief that he had help from the devil. Later in life, Paganini would tour Europe, though rumours of supernatural guidance never ceased. He would give concerts, and often aduela with other virtuosi - awinninga by improvising during the contest (or concert!) by adding octaves, thirds, and sixths, and often playing more notes in a second than thought humanly possible.Devils Duel uses the famous music of Paganinias Caprice no.24 as its musical material, and sees the euphonium soloist duelling with various instruments in the band with displays of virtuosity in the fast music, and cunning in the slow.Devilas Duel was commissioned by David Thornton, to whom this is dedicated. The premiere was given by David Thornton, Nicholas Childs, and the Black Dyke Band at Leeds Town Hall, 26 May 2006.
Estimated dispatch 12-14 working days
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£35.00
Elegie - Peter Meechan
The opening unaccompanied passage of this work was originally written as a short memorial piece for saxophone, but was later adapted as the basis of this more developed work for solo euphonium or trombone.The work uses a variation structure, with both the soloist and the accompaniment changing throughout the piece; the harmony, rhythm and melodic lines leading somewhere new and different each time they are heard - similar to the way our memories of a person often wander in different directions, but are still always focused on that person.
Estimated dispatch 12-14 working days
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£150.00
Fragile Oasis - Peter Meechan
Fragile Oasis is the name of a collective who describe themselves as aaa grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for alla.Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.One such time lapse video (a video made up many still images) was posted on their website by astronaut Ron Garan (http://www.fragileoasis.org/blog/2011/11/coming-back-down-to-our-fragile-oasis-2/) in 2011. It is made up of images taken from the I.S.S. of what Garan described as aaa couple of laps around our Fragile Oasis before coming back down [to Earth]a and features all kinds of amazing views from space.Each of the five sections of this work relate to an aspect of the video - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.The third section, iii: Freya, has its roots in personal family tragedy. The name Freya derives from a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how fragile life itself is, but that every day of it counts and should be celebrated.iv: The Storm from Above (part ii) is a again a reference to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the final section, v: The Oasis from Above - a description of the size and grandeur of Earth, our Fragile Oasis.Fragile Oasis was commissioned by Leyland Brass Band and Michael Bach, and partly funded by The John Golland Trust, for their appearance at the 2013 European Brass Band Championships in Oslo, Norway. It is dedicated to Natalie Youson, in friendship
Estimated dispatch 12-14 working days
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£35.00
Match Day - Peter Meechan
Match Day takes itas inspiration from a night in May 2005, when the team I have supported from my childhood, Liverpool FC, won the European Cup in what was considered by many to be one of the greatest football matches of all time.The piece is not only inspired by a football match, but also takes its musical material from chants and songs that you will hear at 3PM on a Saturday afternoon at any football ground in the country.Match Day was written as a result of a commission from the National Youth Brass Band of Great Britain, and their Musical Director, Bramwell Tovey, to whom the piece is dedicated.First performance:National Youth Brass Band of Great BritainBramwell Tovey - Conductor
Estimated dispatch 12-14 working days
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