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£45.00Bathgate Hills Trilogy - Andrew Duncan
Composed by Andrew Duncan and written for the West Lothian Schools Band, A Bathgate Hills Trilogy is in three movements, each one dedicated to and representing a different hill.Comments from the composer:Movement 1 - Dechmont LawThe first movement describes the peculiar events which took place in November 1979 when a forestry worker, Bob Taylor, had a close encounter with an alien spacecraft in Dechmont Woods at the bottom of Dechmont Hill. Bob Taylor's account from the time describes a large sphere like object about twenty feet across which pulled him by the legs towards it, caustic smoke then caused him to pass out. He awoke a short time later in the same spot but the spaceship had gone leaving behind marks in the soil. His story caused a great deal of media interest and a great deal of excitement in the local community.Movement 2 - The Knock HillThe Term 'Knock' is Scottish Gaelic for 'hill' and the Knock Hill is the highest peak in the Bathgate Hills being 305 metres above Sea Level. On a clear day the Knock hill has excellent views of the Bass Rock to the East and the distant hills of Arran to the West as well as of the whole of West Lothian and across the Firth of Forth to Fife and beyond to the North.The second movement is a description of a leisurely walk to the summit of this hill and the enjoyment of a pleasant summer's day spent walking and taking in the beautiful panoramic views. However, as is the case with the Scottish Summer, a change in the weather finds a clear blue sky being replaced with dark rain clouds. The changed weather brings a sudden brief but unwelcome cold downpour of rain, drenching anyone out walking! Finally, the clouds pass and the more pleasant summer weather returns.Movement 3 - Cairnpapple HillCairnpapple Hill is a near neighbour of the Knock Hill. It is almost as high but interest in Cairnpapple Hill lies in the outstanding archaeological monument near the summit, an Iron Age burial chamber. The chamber dates back to 25 years BC and was built by a mysterious people known as the Beaker People (so called because they left behind a number of large earthenware beakers). The mysteries of Cairnpapple Hill have always been a source of fascination for me ever since first visiting the hill as a school child.The third movement describes the lives of the Beaker People. The landscape they would have looked out on would have been mostly dense forest which would have contained many perils including dangerous wolves and bears. Life was harsh and short for the Beaker People and they would always have been close to danger and to death. The average life expectancy for the Beaker People was only 31 years of age. The summit of the hill would have been clear of forest and would have afforded the Beaker People some protection as they could see all around the near countryside enabling them to keep a watchful lookout for their enemies - both animal and human!
In Stock: Estimated dispatch 3-5 working days
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£54.95WORLD WITHIN, A (Brass Band Parts) - Scott, Andy
Brass Band parts only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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£20.00
WORLD WITHIN, A (Brass Band Score) - Scott, Andy
Brass Band score only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
In Stock: Estimated dispatch 3-5 working days
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£54.99Sgt. Pepper's Lonely Hearts Club Band (Brass Band - Score and Parts) - Lennon & McCartney - Harper, Philip
Sgt. Pepper's Lonely Hearts Club Band is the most famous album by The Beatles, and perhaps of all time. When it came out in 1967 it was remarkable not only for its many great songs, but also because of the innovative recording techniques that were used on the record for the very first time, setting a new standard for many decades to come. Conductor, arranger and composer Philip Harper is a huge Beatles fan himself and had a great time creating this grade 4 arrangement!
Estimated dispatch 7-14 working days
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£54.99Sgt. Pepper's Lonely Hearts Club Band - John Lennon
Sgt. Pepper's Lonely Hearts Club Band is the most famous album by The Beatles, and perhaps of all time. When it came out in 1967 it was remarkable not only for its many great songs, but also because of the innovative recording techniques that were used on the record for the very first time, setting a new standard for many decades to come. Conductor, arranger and composer Philip Harper is a huge Beatles fan himself and had a great time creating this grade 4 arrangement!
Estimated dispatch 5-14 working days
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£29.95Nightlights (Eb Bass Solo with Brass Band - Score and Parts) - Pankhurst, Lucy
Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Originally written as a Tenor Horn solo, this version for Tuba was arranged for and is dedicated to Dr Joanna Ross Hersey.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30
Estimated dispatch 7-14 working days
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£29.95Nightlights (Tenor Horn Solo with Brass Band - Score and Parts) - Pankhurst, Lucy
Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30
Estimated dispatch 7-14 working days
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£154.99Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated dispatch 5-14 working days
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£71.75Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield
This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day. The composer writes: 'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story. The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties. The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war. After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close. Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.' To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgk Duration: Approx. 15.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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