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£54.99I Will Always Love You
The title song to the 1992 film The Bodyguard, I Will Always Love You, written by Dolly Parton and sung by Whitney Houston spent over 10 weeks at number one in the UK charts. The beautiful ballad has been sensitively arrangement for brass band and is sure to be a big hit with both musicians and audiences.
Estimated dispatch 5-14 working days
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£54.99
Pleasure for Band - Kees Schoonenbeek
As the title suggests Pleasure for Band is a pleasant composition it is based in five equal parts. The first movement makes use of A-B-A form, with the A theme having a bright joyous character and the B theme having a contrasting more lyrical feel. This work will make an idea encore for any concert.
Estimated dispatch 5-14 working days
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£54.99
Intrada & Wilhelmus - John Blanken
John Blanken wrote Intrada & Wilhelmus in 2002 for the brass band Euphonia from Wolvega, the Netherlands.The title speaks for itself. It's an introduction to the national anthem of The Netherlands; Wilhelmus. In this piece the national anthem is heared two times followed by a short postlude.
Estimated dispatch 5-14 working days
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£54.99First Concerto - Peter Kleine Schaars
As the title suggest this work offers the young musician their first opportunity to take the stage as a soloist. The solo part of First Concerto can be played on a variety of brass or woodwind instruments (parts in different keys are supplied) and is also particularly suitable for recorder. If one of your students can play 5 notes, First Concerto can be the first solo work to showcase their future music talent!
Estimated dispatch 5-14 working days
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£59.99Hymn of Faith - Louis Bourgeois
The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody hasbeen used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti.
Estimated dispatch 5-14 working days
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£54.99Psaltrada - Jan de Haan
The title of this piece gives a clue as to how it came about: Jan de Haan took the setting of psalm 149 from the Geneva Psalter of 1562 and created from this simple, beautiful melody a glorious, lively opening work for concert band. So it was that from a psalm and an intrada (prelude) a Psaltrada was born - for you to begin your next concert in splendid fashion.
Estimated dispatch 5-14 working days
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£94.99Finale from Piano Concerto N3 - Sergei Rachmaninov
Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoff's Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoff's musical signature. An outstanding and very spectacular title!
Estimated dispatch 5-14 working days
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£85.00Alchymist's Journal. - Kenneth Hesketh
'The Alchymist's Journal' gets its title from the book of the same name by American author Evan S. Connell. The book fictionalises a number of famous Alchemist's writings, each one developing another's thoughts thuscontinuing one idea but changing it subtly to provide a new view point or way of thinking. This process is, in fact, alchemical as one idea transmutes into another. This idea is parallel to the processes at work within thesevariants. The whole work is constructed from 6 notes (C, A, B flat, E flat, F sharp, E) and is presented in nine different sections, each individual in mood but still based upon the original pitches. This is not a thematic setofvariations, as the themes are developed one at a time from small segments of the six notes. For example, the opening theme is the complete number of pitches, the second theme uses three notes transposed then repeated at theoriginal level, and so on. Harmonically, the six notes can be divided into two triads, A minor and E flat minor - each key beginning and ending the piece respectively. Whilst this is essentially abstract music with noprogramme there is an introduction, menacing scherzo, slow reflective section followed by a recap of the scherzo and final coda. 'The Alchymist's Journal' was commissioned by the Brass Band Heritage Trust at the suggestionof Paul Hindmarsh, to whom the work is dedicated.
Estimated dispatch 5-14 working days
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£94.99Concert Piece - Alexandre Guilmant
Felix-Alexandre Guilmant-Amedee (Boulogne-sur-Mer, March 12, 1837 - Meudon, March 29, 1911) was a French composer and organist. Like many other composers, he was very talented on a young age, he was 12 years when he was playing organ smoothly. He studied with Lemmens with Charles-Marie Widor and Gigout. Between 1871 and 1901 he the leading man in the Paris organ scenery, along with his fellow students, later on he teached at the Paris Conservatoire National Superieur de Musique, inter alia, Joseph Bonnet and Marcel Dupre. Known are his organ sonatas, which are equivalent to the famous organ symphonies of Widor. His work was very popular. Also knownunder the title Morceau Symphonique, Opus 88.
Estimated dispatch 5-14 working days
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£119.99The Binding of the Wolf - Torstein Aagaard-Nilsen
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..."
Estimated dispatch 5-14 working days
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