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£39.99
Amid the Cold Of Winter- The Rose ("Es ist ein Ros entsprungen")
ABOUT THIS PIECE: Introduce a touch of elegance to your Christmas programme with Amid the Cold of Winter - The Rose, a beautiful arrangement of the traditional carol Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming). This cherished melody dates back to the late 16th century and has been celebrated for its gentle beauty and profound sense of reverence. Its origins in German sacred music have made it a favourite across centuries, embodying the spirit of hope and renewal. This arrangement, crafted for quartet with brass band accompaniment, enhances the carol's delicate charm while providing a fresh, rhythmic and gentle take on the accompaniment and overall feel. Perfect for seasonal concerts, or gentle and reflective moments in your programme, this piece allows a quartet of soloists to shine. ENSEMBLE: Quartet (soprano cornet, repiano cornet, solo tenor horn & solo baritone) with Standard British Brass Band. For information: As only two solo cornets are required, it is suggested that remaining cornet player play additional percussion. Soprano part available in Bb to be played by Bb cornet. Solo Horn part available in Bb to be played by trombone (trombone part available in Eb to be played by tenor horn in this scenario). WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: c. 4-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£16.00
Coventry Carol
DescriptionCoventry Carol is a traditional English Christmas carol dating back to at least the sixteenth century, where it formed part of the Pageant of the Shearmen and Tailors, one of the Coventry mystery plays. The plays themselves date back to at least 1392, but the earliest surviving record of the music is in a manuscript writen in 1534. Religious suppression put a stop to the plays by the end of the sixteenth century, but the manuscript recording the Coventry Carol survived and was published in 1817 as part of a revival of interest in the medieval and renaissance periods. The carol refers to the 'Massacre of the Innocents' from chapter two of the Gospel of Matthew, in which Herod orders the massacre of all Hebrew children under the age of two.This arrangement was first performed by the Blackley Band conducted by Andrew Baker in 2004.You can follow the score with and audio preview below: Duration approximately 3'05".Playable by all standards of band.
Estimated dispatch 7-14 working days
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£79.00
Expectation - Geir Sundbo
"Expectation" is composed in a traditional ABA-form. The A-part exploits different rhythmical elements, mixed meters and dissonances while the B-part is calm and melodic with harmonies that challenge the players to "accept" dissonant tones as a colouring element. The composer wishes that this piece makes young musicians curious and interested in the exiting field of new contemporary music.
Estimated dispatch 7-14 working days
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£34.95
Excelsis! - Steven Ponsford
Written for Birmingham Citadel Band, Excelsis! portrays something of the wonder and excitement of the Christmas story. The music features traditional carols either side of John W Peterson's beautiful lullaby Sleep, Holy Child in the central nativity section.
Estimated dispatch 5-7 working days
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£89.95
INFINITY (Brass Band Set) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£34.95
HIS EYE IS ON THE SPARROW (Tenor Horn Solo with Brass Band Set) - Leonard Ballantine
A traditional gospel spiritual originally written in 1905 by Civilla D. Martin and Charles H. Gabriel, the song is most associated with actress-singer Ethel Waters. The song has been covered extensively in gospel music, with notable versions by Shirley Caesar, Marvin Gaye, Kirk Franklin and the Family, Lauryn Hill and Tanya Blount (from Sister Act 2), Mahalia Jackson, Sister Rosetta Tharpe, Dottie West, Barbara Mandrell and Jessica Simpson.
Estimated dispatch 7-14 working days
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£44.95
KERYGMA (Brass Band Set) - Steven Ponsford
The Greek word 'kerygma' was adopted by the early Christian church as a way of expressing 'the word of God proclaimed'. The composer has taken this concept and used three contemporary worship songs, 'He is Lord', 'Jesus Christ' and 'He has risen', along with fragments of the more traditional 'Easter Hymn', to proclaim in music the Lordship of the risen Christ.
Estimated dispatch 7-14 working days
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£30.00
Alloy - Chris Wilcox
Alloy was originally commissioned in 2009 by Redbridge Music Service as a performance goal for beginner brass instrumentalists who had received free tuition in schools across the borough. The aim of the piece was to provide an inspirational opportunity for beginner players to perform alongside intermediate and advanced level instrumentalists. Alloy is an 8-minute work for metallic instruments, which is reflected in its title. It is a fusion piece with elements from traditional Indian Raga, Drum & Bass grooves, Jazz, Rock and African rhythms alongside the more 'classical' melodic brass styles. What culminates is a vibrant and exciting contemporary work.
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£35.00
Calon Lan - Hughes, J - Harper, P
Calon Ln is among the most popular of traditional Welsh melodies. This arrangement is simple but beautiful, beginning with a lone trombone voice, expanding to a trio, before the tenor horn is featured. After a heartfelt but brief climax, the trombone regains the spotlight and the music ends in peace and tranquility.4th section +Duration 2.30 minsListen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days