Results
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£76.99Oregon - Jacob de Haan
This fantasy tells the story of Oregon, one of Americas north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in differentvariants(also in major). The rythmic structure of 'western' stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhytmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.
Estimated dispatch 5-14 working days
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£54.99The Irish Dancemaster - William Vean
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher, who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities, gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg, the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage), after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment, William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances, the Reel and the Jig. In between these two dances there is a short breathing space, during which a traditional Irish rhythm can be enjoyed.
Estimated dispatch 5-14 working days
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£24.95
I Wonder As I Wander (Brass Band - Score and Parts) - Blyth, Andrew
I wonder as I wander' was originally collected from North Carolina by the leading folksong collector, John Jacob Niles. It is said that he paid a young travelling evangelist, Annie Morgan, 25 cents an hour to sing the song until he had memorised it! Often referred to as a traditional Appalachian carol, it is unclear exactly how old the melody is.
Estimated dispatch 7-14 working days
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£12.50
I Wonder As I Wander (Brass Band - Score only) - Blyth, Andrew
I wonder as I wander' was originally collected from North Carolina by the leading folksong collector, John Jacob Niles. It is said that he paid a young travelling evangelist, Annie Morgan, 25 cents an hour to sing the song until he had memorised it! Often referred to as a traditional Appalachian carol, it is unclear exactly how old the melody is.
Estimated dispatch 7-14 working days
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£74.99Oregon (Brass Band - Score and Parts) - De Haan, Jacob
This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rhythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhythmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:10
Estimated dispatch 7-14 working days
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£34.95
SLOW RIDE IN A STATIC MACHINE, A (Brass Band) - Lawrence, Phil
A Slow Ride in a Static Machine was inspired some time ago when my (late) Father came to visit me "down in London" as he put it. It was based not on one of his circular mishaps, but on several! He was always directed carefully, but refused to carry a map in the car! At one time when I lived in North London I would meet him outside the capital, and he would then follow be back to my place, but after I moved to East London I made him bite the navigational bullet and transverse the 'M25 Orbital'. His main problem seemed to be getting off this mesmerising circular cark park. He would often phone (in a weary tone) from the Dartford Tunnel (which is 5 junctions past the one he needed to get off at), asking me to, "bring him in" so to speak. I would always refuse. And then, he would do the opposite (especially when travelling at night), he would phone me up from near Cambridge (he'd gone the wrong way up the M11 away from London by 45 miles), and would ask where he was!The title is obviously a play on John Adams' composition, A Short Ride In A Fast Machine. This quirky tone poem starts as a wind-up by using those unwanted intervals of augmented 4th's and minor 9th's & 7th's in the main tune, before hearing the road works, the juggernauts multi horns, fender-benders, ambulance and police sirens! This then all works to a back beat on kit. The wind-up start gets to an almost Go-Go 1960's Disco middle section (the nostalgic hay-days of the open road), where our wind-up tune falls into place and we all relax as we can now drive at 42.1 mph! We DC, and then get into a right car mess in the Coda!Phil Lawrence.Duration:4:00
Estimated dispatch 7-14 working days
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£45.00The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
In Stock: Estimated dispatch 3-5 working days
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£19.95Judd: I Wonder as I Wander
'I wonder as I wander' was originally collected from North Carolina by the leading folksong collector, John Jacob Niles. It is said that he paid a young travelling evangelist, Annie Morgan, 25 cents an hour to sing the song until he had memorised it! Often referred to as a traditional Appalachian carol, it is unclear exactly how old the melody is.
Estimated dispatch 7-14 working days
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£9.95Euphonium's Amazing Americas Tour - Solo Euphonium (Bass Clef) - LM172 - Alexandra Lehmann
COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.
In Stock: Estimated dispatch 3-5 working days
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£9.95Euphonium's Amazing Americas Tour - Solo Euphonium (Treble Clef) - LM169 - Alexandra Lehmann
COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.
In Stock: Estimated dispatch 3-5 working days
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