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  • £35.13

    Adoration (Cornet Solo with Brass Band) Florence Price trs. Andrew Wainwright

    Florence Price was an American classical composer, pianist, organist and music teacher. She is noted as the first African-American woman to be recognised as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers that had been previously considered lost was found in her abandoned summer home. Amongst these was this delightful work, Adoration, which had been composed in the 1950s for organ. According to IMSLP.org, the piece "failed to meet notice or renewal requirements to secure statutory copyright with no 'restoration' under the GATT amendments" and therefore is in the public domain. A version for violin and piano by Elaine Fine has become popular. This setting for cornet soloist with brass band has been arranged by Andrew Wainwright. It is also available as a Bb solo with piano here. To view a video of Andrew Roe performing the work, please visit: www.youtube.com/watch?v=_7UYlz8Fzxo Difficulty Level: 4th Section + Length: 3.15 minutes Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb (Percussion Tacet)

    In Stock: Estimated dispatch 1-3 working days
  • £50.75

    Finale from Symphony No.3 (Organ Symphony) (Brass Band) Saint-Saens arr. Norbury

    Saint-Saens' magnificent Finale from Symphony No.3 (widely known as the 'Organ Symphony') has here been arranged for brass band with optional organ by Kevin Norbury. It was recorded by The International Staff Band on its CD Manuscripts, although this version has been revised in places. Saint-Saens decided to add the organ and piano to his 3rd symphony as a pragmatic orchestration innovation. The composition of this symphony was probably started in 1885 and a first draft was completed in Prague in 1886. Saint-Saens later recalled its eventful genesis: 'The Symphony in C was three-quarters sketched out when I found it impossible to write the finale. I did not know how to resolve this situation, until one night I suddenly woke up and, in a sort of hallucination, I heard the whole finale, which I hastily wrote down in outline, knowing that if I went back to sleep without having put anything on paper, I would have forgotten it all the next day.' The symphony was first performed under the composer's direction at Saint James's Hall in London on May 19, 1886. This arrangement by Kevin Norbury can both function as a stand-alone brass band piece, and be performed with an organ by omitting the notes found in square brackets in the parts and score. To view a rolling score video please visit www.youtube.com/watch?v=OlUd_FppBY8 PDF download includes score and parts. Additional parts (Horn in F and Baritone, Trombone, Euphonium & Tuba in Bass Clef) available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: 8.30 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion Organ (optional)

    In Stock: Estimated dispatch 1-3 working days
  • £35.13

    Silent Night (Vocal Solo with Brass Band) Joseph Mohr arr. Andrew Wainwright

    This solo for soprano voice with brass band accompaniment was arranged for ITV's Britain's Got Talent star Faryl Smith and the GUS Band for a joint Christmas concert. It was recorded on the CD Christmas Fantasia - The Music of Andrew Wainwright by the same performers. This simple but charming setting features three verses of the carol. To view a rolling score video featuring Faryl Smith performing the solo with GUS Band please visit https://www.youtube.com/watch?v=qmIRwYogtzU&t=2s Length: 5.20 minutes Instrumentation: Vocal Soloist Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £35.13

    Cornish Fantasy (Euphonium Solo with Brass Band) David Taylor

    VIEW SCORE PDF Cornish Fantasy was written for Kidlington Concert Brass's euphonium soloist Benjamin Abbott to perform in their Autumn 2021 series of concerts and contests. Based around a series of Cornish folk tunes, it pays tribute to Ben's Cornish roots, and in particular to his banding education with the Camborne Town Band. The solo opens with the 'unofficial Cornish anthem' Trelawny, which is followed with a series of virtuoso cadenzas. After these is an up-tempo jig in several segments, containing the traditional tunes Camborne Hill, Pendeen Jig, Newlyn Jig, Pencarrow, and Off She Goes, the latter two at a breakneck pace that carries through to a triumphant close. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion Xylophone

    In Stock: Estimated dispatch 1-3 working days

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  • £35.13

    Call of the Victor (Brass Band) Marcus Venables

    VIEW SCORE PDF The music within this piece by Canadian composer Marcus Venables portrays the image of a victorious and triumphant call - the battle's won and the victor proclaims supreme authority. As with any ruling authority and power, the growing opposition rise to conquer. After the opening fanfare and a call of victory, the music portrays the lavishness of victory with this driving sense of impending conflict. Once again, the victor must go to war and battle the threats. The music continues to express the sorrow and the loss that comes with being the victor. With sacrifice and pain, the victor now grows in passion and motivation to once again conquer the enemies. With a final swift battle, the victor calls out to claim supremacy once again. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days

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  • £34.95

    The Fire and the Phoenix (Trombone Solo)

    Trombone Solo with Brass BandThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody.Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again.A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.

    Estimated dispatch 7-14 working days
  • £42.94

    Verklarte Nacht (Brass Band) Arnold Schoenberg arr. Rob Bushnell

    Composed in just three weeks in 1899, Verklarte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel's poem of the same name, as well as Schoenberg's strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky. The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news. The work premiered on 18 March 1902 in the Vienna Musikverein by the Rose Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation and tempo markings. Whilst the piece was controversial at the time, both musically and due to the poem's "inappropriate" subject matter, Richard Dehmel himself was impressed, writing "I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music." This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a recording of the original composition please visit www.youtube.com/watch?v=vqODySSxYpc. Difficulty Level: 2nd Section + Duration: approx. 6.40 minutes Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £39.04

    A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell

    A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £35.13

    Coronation March from 'Le Prophete' (Brass Band) Meyerbeer arr. Rob Bushnell

    The Coronation March by the German composer Giacomo Meyerbeer comes from Act 4, Scene 2 of his grand opera, Le Prophete (The Prophet). Set in the 16th century, it is based on the life of John of Leiden, Anabaptist leader and "King of Munster", with the libretto influenced by the works of Voltaire. The 5-act opera deals with love, revenge and tragedy. It was premiered by the Paris Opera at the Salle Le Peletier on 16 April 1849, with audience members including Chopin, Verdi, Delacroix, Charles Dickens and Berlioz.During his life, Meyerbeer was a dominant figure in the world of opera, with Hector Berlioz saying of him 'he has not only the luck to be talented, but the talent to be lucky.' To view a rolling score video of the work please visit www.youtube.com/watch?v=_M4DtUdQzhA Duration: Approx. 3.40 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Also includes alternative parts for horns in F and lower brass in bass clef. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £62.47

    Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright

    Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

    In Stock: Estimated dispatch 1-3 working days