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£74.00Montage (Parts only) - Peter Graham
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00
Estimated dispatch 7-9 working days
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£33.00
Fat Bottomed Girls - May, B - Harper, P
Again from the Jazz album, Fat- Bottomed Girls has been brilliantly arranged for brass band to maintain its heavy rock feel. The trombones provide that edgy, raw sound whilst the soprano has a virtuosic solo which powers the piece to an awe inspiring fortissimo conclusion.2nd section +
In Stock: Estimated dispatch 1-3 working days
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£50.00
It ('s a Monster) - Bettencourt & Cherone - Harper, P
With rasping trombones, a driving drum kit and an irresistible hook, this song from 1980s glam-rock group Extreme will get your audiences rocking!Championship SectionDuration 4 mins
In Stock: Estimated dispatch 1-3 working days
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£33.00
Angels from the Realms of Glory - Traditional - Barry, D
A concert prelude with a big introduction. The first verse is lightly scored and features the middle of the band. The continuing prelude returns back to the main theme featuring trombones and horns. The piece finishes in a full big chord setting.4th section +
In Stock: Estimated dispatch 1-3 working days
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£5.95Poliuto (Trombone Quartet - Score and Parts)
Written for 3 Bb TC Tenor Trombones and Bass Trombone
Estimated dispatch 7-14 working days
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£5.95Southern Breezes (Trombone Quartet - Score and Parts)
Written for 3 Bb TC Tenor Trombones and Bass Trombone
Estimated dispatch 7-14 working days
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£6.95The Grenadiers (Trombone Quartet - Score and Parts)
Written for 3 Bb TC Tenor Trombones and Bass Trombone
Estimated dispatch 7-14 working days
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£14.95Instrumental Album No.9 - Four Quartettes
Includes: Triumph; Calvary; The Battle Eve; The Hallelujah CornerInstrumentation: 3 Trombones (TC) & Bass Trombone (BC)
Estimated dispatch 7-14 working days
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£19.99Clarion Alarum (Brass Band - Score and Parts)
Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas.Suitable for 1st Section Bands and aboveDuration: 2.30
Estimated dispatch 7-14 working days
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£73.99Festivus Americas (Brass Band - Score and Parts)
Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well as a festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and is developed, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weave straight through the brighter instruments. Duration: 5.00
Estimated dispatch 7-14 working days
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