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£113.00Me and Mrs. Jones - Kenneth Gamble
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Buble's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Buble has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 5-14 working days
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£102.60Griffenfeldt - 0
Here we present "Griffenfeldt, a folk-dance in the style of a Norwegian reinlender.This arrangement can be used as the first item in a concert, or after an interval.The musicians can come on stage as they join in. That is why two of the measures are notated "repeat till ready", here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted.Be sure to play with a bouncy but singing style, not with short and harsh articulations.Do the trills on the beat, but these can also be omitted if it makes it too difficult.To bring out the folk music style a little extra, you can ask the musicians to play on the "backbeat", i.e. emphasize the last half of each quarter-note.In addition, the music will really come to life if all "solo" places are done standing up.The musician Anon Egeland tells this story:This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.
Estimated dispatch 5-14 working days
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£55.00Coronation Scene. - Modest Mussorgsky
Few operas have had such a remarkable history as Mussorgsky's masterpiece Boris Godunov. It exists in no less than three complete versions by the composer himself, as well as posthumous editions andorchestrations by Rimsky-Korsakov (from which this arrangement is taken), Shostakovich and others.The Coronation Scene is set in the Square of the Moscow Kremlin, between the Cathedral of the Assumption and theCathedral of Archangel Michael, the year is 1598. After being crowned as Tsar, Boris Godunov acknowledges the people's acclamations and the bells of the two cathedrals, as well as many churches within the vicinity, canbeheard ringing out across St Petersburg.Available here are the score and parts for Mussorgsky's Coronation Scene (Boris Godunov), as arranged for Brass Band by Phillip Littlemore.
Estimated dispatch 5-14 working days
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£59.99Crazy Music in the Air - Jacob de Haan
This composition in two parts is one of the first successful works Jacob de Haan published for Brass Band. Somewhat under the influence of Ted Huggen's Choral and Rock Out which was an overwhelming success at the time, the still very young Jacob de Haan wrote this composition. The first part (Air) exists of a choral melody with baroque grace notes, supported by a pop rhythm in the drums. The second part (Crazy Music) is a swinging bossa nova, in which various instrument groups present themselves in the continuously varying themes. The famous Black Dycke Mills Band contributed to the success of Crazy Music in the Air by regularly puttingthe piece on its tour programmes.
Estimated dispatch 5-14 working days
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£34.95
Salsalvation (Brass Band - Score and Parts) - Mackereth, Andrew
In writing this piece the composer set out to emulate the sound of the Stan Kenton big band and music of that 'golden' era. The piece itself is based around two Salvation Army tunes that are associated with the word, 'salvation'; Steadily forward march! (T.B. 799) and Hark, hark, my soul (T.B.542). The music is intentionally flamboyant and requires a secure grasp of the style and rhythm to be successful. It was featured at the Belfast Temple Music School to great effect.
Estimated dispatch 7-14 working days
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£17.50
Salsalvation (Brass Band - Score only) - Mackereth, Andrew
In writing this piece the composer set out to emulate the sound of the Stan Kenton big band and music of that 'golden' era. The piece itself is based around two Salvation Army tunes that are associated with the word, 'salvation'; Steadily forward march! (T.B. 799) and Hark, hark, my soul (T.B.542). The music is intentionally flamboyant and requires a secure grasp of the style and rhythm to be successful. It was featured at the Belfast Temple Music School to great effect.
Estimated dispatch 7-14 working days
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£89.95PRELUDE, TOCCATA and FUGUE (Graduation Day) (Brass Band - Score and Parts) - Sparke, Philip
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
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£44.95
PRELUDE, TOCCATA and FUGUE (Graduation Day) (Brass Band - Score only) - Sparke, Philip
Three connected movements each with their own character. Prelude is energetic and riving, featuring highly syncopated melodies and frequent changes of key and phrase length. The central Toccata is a series of traditional cadenzas for cornet and euphonium that ends ina virtuoso duet for the two soloist and leads directly into the Fugue. The baroque-style fugue keeps breaking out into episodes of 'Swingle' bebop. The conflicting styles both vie for pre-eminence but are eventually happily reconciled and combined to bring this piece to a close. Duration: 13:32 Recorded on Polyphonic QPRL232D Sea Pictures
Estimated dispatch 7-14 working days
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£34.95Fox's Air And Dance (Brass Band - Score and Parts) - Downie, Kenneth
This is a one-movement composition, albeit in two sections, that is accessible to bands of most abilities and to all audiences. The Air is in a good-natured, easy-going style while the Dance section is a bit of a romp loosely based on the traditional tune 'In and out the dusty bluebells'.
Estimated dispatch 7-14 working days
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£17.50
Fox's Air And Dance (Brass Band - Score Only) - Downie, Kenneth
This is a one-movement composition, albeit in two sections, that is accessible to bands of most abilities and to all audiences. The Air is in a good-natured, easy-going style while the Dance section is a bit of a romp loosely based on the traditional tune 'In and out the dusty bluebells'.
Estimated dispatch 7-14 working days
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