Results
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£79.99
Scherzo alla Marcia - Ralph Vaughan Williams
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. As the name suggests, all titles in the Brass Band Series are scored for brass ensemble and may also include perucssion parts. This work is Grade 5.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 5-14 working days
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£76.99
Flourish for Glorious John - Ralph Vaughan Williams
In partnership with Oxford University Press and authorized by the Vaughan Williams Charitable Trust, this major new initiative brings the incredible catalog of Ralph Vaughan Williams to the wind band community, with scholarly transcriptions by leaders in wind band composition. As the name suggests, all titles in the Brass Band Series are scored for brass ensemble and may also include perucssion parts. This work is Grade 4.5.To view other titles in the series, visit www.giamusic.com/RVW.
Estimated dispatch 5-14 working days
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£115.60
Ubi Caritas - Thomas Caplin
Thomas Caplin is a Swedish professor of choral conducting. He works at the Inland Norway University of Applied Sciences in Hamar. He composed this beautiful opus for choir based on the ancient text Ubi caritas.The text is often used during Maundy Thursday, describing Jesus washing the feet of his disciples: Where charity and love are, there God isIn this arrangement, a smaller group of players are soloists. The arrangement will work well if the group can be placed on a gallery or at the back of the concert hall.
Estimated dispatch 5-14 working days
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£104.99
Cambridgeshire Impressions - Rieks van der Velde
In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north ofLondon. 1. The Journey. Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour, which starts with an Allegromovement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside. Short themes, swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image. Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely, whichwas built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These "public houses", which may be open until the earlyhours of the morning, offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words, the moment of departure has come sooner than one would havewished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.
Estimated dispatch 5-14 working days
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£60.30
We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£20.00
atrium phase
Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"
Estimated dispatch 7-14 working days
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£25.00
Ring'd with the Azure World
DescriptionRing'd with the Azure World was commissioned by the Harmonia Brass quintet for their final recital at the University of Huddersfield in 2016.He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands.The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls.- The Eagle by Alfred, Lord TennysonThe music was inspired by Tennyson's poem reproduced above; it seeks simply to reflect the spirit of the poem. It opens in sparse, lonely mood as the eagle surveys the world beneath. The work quickens in three bursts using metrical modulation to disguise the actual moment of acceleration, reflecting the lazy energy stored in the circling raptor before concluding dramatically in a fall 'like a thunderbolt'. Tennyson's poem, although brief, has inspired much analysis and writing, and is notable for being written in the (then somewhat unfashionable) iambic tetrameter, indicating a foursquare emphasis reflected in the main theme of the music. This is heard first in an octatonic version and later in a purely tonal (if somewhat modal) version. The instrumentation reflects that of Harmonia Brass, a quintet composed of brass band instruments (two B flat cornets, an E flat tenor horn, tenor trombone and E flat tuba). However the music is also available for the more conventional brass quintet of two trumpets, french horn, trombone and tuba.To listen to an audio export preview and follow the music, click play on the video below!Performance Notes1st cornet/trumpet requires a cup mute, ideally with an adjustable cup (the marking "tight" denotes that the cup should be adjusted closer to the bell), and a harmon mute with the tube removed (denoted by "TR" in the score). 2nd cornet/trumpet requires a fibre straight mute and a harmon mute with the tube removed. Tenor horn require a fibre straight mute and a practice mute (any sort) - in the orchestral brass version the french horn requires a stop mute. Trombone requires a cup mute (only). Tuba requires a fibre straight mute and a practice mute (of any sort).Metronome marks should be closely observed - starting either too fast or too slow will have a disproportionate effect on the tempi later in the piece due to the metrically controlled tempo changes.
Estimated dispatch 7-14 working days
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£59.95
Heroes of Erin - Richard Rock
A suite of Irish music commissioned by Prof. David King for the University of Salford Brass Band. The suite is in 4 movements 'Mo Ghile Mear' - full band with small flugel feature, 'Bohemian' - Horn Solo, 'Lucht Siuil' - Cornet Solo and 'Molly's Wake' - Band feature
Titles No Longer Available
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£28.50
Island of the Setting Sun - Richard Rock
Premiered by the Salford University Brass Band and performed at the Europeans in 2010. Inspired by a book of the same name from Mythical Ireland (www.mythicalireland.com)
Titles No Longer Available
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£44.95
Tale of the Dragon - Paul Lovatt-Cooper
Tale of the Dragon was commissioned by the Senshu University Tamana High School Band in Japan to celebrate their 50th Anniversary. Composed as a dramatic finale Tale of the Dragon is a piece of programmatic music that tells an old Japanese legend of adventure and bravery...
Estimated dispatch 5-7 working days