Results
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£44.95
Of Distant Memories (Music in an Olden Style) (Brass Band - Score only) - Gregson, Edward
Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire, and their music, and in the process summons up a kind of subconscious memory bank of the musical languages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural) of those early test pieces. Although fairly traditional concepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, the percussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous 'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of their predecessors. Of Distant Memories is the composers own way of repaying that gratitude.Duration: 15.00
Estimated dispatch 7-14 working days
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The Giddy Goat - Traditional Swiss - Daniel von Siebenthal
The Giddy Goat is a silly folk song that everyone knows in Switzerland. It is about a white goat that does not want to get milked, so she kicks the milker. Thinking that this is because the goat is white, the owner decides that he will buy a brown one instead. From there on, people make up their own verses in which the goat is often replaced with past loves, enemies, and anyone or anything worthy of ridicule. Daniel, the arranger, lives in Gstaad in the Saanen district and the "Saanen goat" is a breed of white goat known throughout the world. As a farm boy, he did his share of goat milking and received the occasional hoof under his chin for his trouble. So, this piece is a tribute to a local breed that became world-famous, especially in America where the tune also meets its counterpart Billy Grogan's Goat (a similar silly song). The Giddy Goat should always be played as a "silly song" reflecting the goat's nature; capricious and cantankerous. The low bass line is important in Swiss folk music and should approximate to a plucked string-bass whose strings are dampened, to give it a pulsating feel. For those who would like to yodel we include the following Swiss tongue twister:- Holeduli duliduli, holeduli duli duli duuli, Holeduli duliduli, holeduli duli duli duu
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£49.95
The Dark Side Of The Moon (Score and Parts)
This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007
Estimated dispatch 7-14 working days
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£24.95
The Dark Side Of The Moon (Score Only)
This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007
Estimated dispatch 7-14 working days
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£34.95
Fire & the Phoenix, The - Christopher Bond
The Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers. Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 5-10 working days
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£110.00
The Final Frontier - Geert Jan Kroon
In The Final Frontier, the composer explores different associations with the universe. Inspired by Stephen Hawking's (1942-2018) book Brief Answers to the Big Questions, the piece describes the wonders and dangers of the universe, the big questions about the smallest elements, and the possibility of space travel. The work consists of four movements. The first movement, 'Energy and Space', is the exposition of both main materials. With energy and space, a universe can be created. The second movement, 'The Great Unknown', is a fast section in which the materials are further explored and depicts the dangers of the universe, like supernovae and black holes. The third movement, 'The Big Questions', is a slow movement with different soloists and music of a reflective nature. Imagine how in the tiniest elements, whole dimensions could be rolled up. Also, a Dutch pioneer in cosmology is hidden in the notes. The fourth movement, 'The Final Frontier', is a big build-up to a majestic finale, portraying the excitement of space travel. The Final Frontier was the set test piece of the 3rd section at the Dutch National Brass Band Championships.
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Christmas Jig (The Tobique) | trad arr. David Stowell
Played by the fabulous Cory Band in their 2016 Christmas series, this lively piece is a real audience pleaser. It brightens up a Christmas concert and is an arrangement of two dances; Christmas jig, in 6/8 time, and a reel in 4/4, based on the traditional French Canadian folk song; 'The Mouth of the Tobique'.The basses have a vital role in creating a Celtic style drone sound, and the percussion a simple but effective Irish rhythm. A great audience pleaser, and ideal as the encore to round off a concert and leave a lasting memory in the minds of the listeners.Instrumentation Full Brass Band Percussion (x2): 1. Timpani 2. Bass Drum, Drum Kit, Tom-tomsISMN: 979-0-708127-41-3
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£34.95
The Fire and the Phoenix (Trombone Solo)
Trombone Solo with Brass BandThe Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers.Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody.Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again.A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 7-14 working days
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£9.95
Euphonium's Tour of The Exotic East - Solo Euphonium (Bass Clef) - LM173
COMPOSER: Alexandra LehmannEuphonium's Tour of The Exotic EastThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Dynamic Dabkeh DanceEuphoniumplays for a 'Dynamic Dabkeh Dance' in the Levant,where dancers dance energetically in a circle to celebrate a wedding.2. Slithering Snake Charmer's Sinuous ChantEuphoniumplays a 'Sinuous chant for a Slithering Snake' as asnake-charmer in the Indian subcontinent.The slithering snake undulates in response to the raga-infused melody.3. Merry MadagascarEuphoniumtravels south-east to the island of Madagascarwhere here is a village harvest Carnival,with much merriment and communal music.4. Lively and Luxurious Lion DanceFurther north,Euphonium participates in the Far Easternlively and luxurious Lion Dance to bring good luck and fortune.5. Indonesian GamelanEuphoniummust hurry to Indonesia where there is anIndonesian Gamelan puppet whole-tone scale musical performance,with chiming large gongs, and fast clattering metallophones.6. Polynesian PartyEuphoniumtakes the boat to the Polynesian Islandsto play at a Party celebrating the sea.7. Anthem to the ChrysanthemumFinally,Euphonium goes up north again and plays homagewith an Anthem to the mystical Chrysanthemum with a pentatonic melody representing happiness, love, longevity, nobility, and joy.
In Stock: Estimated dispatch 3-5 working days
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£9.95
Euphonium's Tour of The Exotic East - Solo Euphonium (Treble Clef) - LM170
COMPOSER: Alexandra LehmannEuphonium's Tour of The Exotic EastThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Dynamic Dabkeh DanceEuphoniumplays for a 'Dynamic Dabkeh Dance' in the Levant,where dancers dance energetically in a circle to celebrate a wedding.2. Slithering Snake Charmer's Sinuous ChantEuphoniumplays a 'Sinuous chant for a Slithering Snake' as asnake-charmer in the Indian subcontinent.The slithering snake undulates in response to the raga-infused melody.3. Merry MadagascarEuphoniumtravels south-east to the island of Madagascarwhere here is a village harvest Carnival,with much merriment and communal music.4. Lively and Luxurious Lion DanceFurther north,Euphonium participates in the Far Easternlively and luxurious Lion Dance to bring good luck and fortune.5. Indonesian GamelanEuphoniummust hurry to Indonesia where there is anIndonesian Gamelan puppet whole-tone scale musical performance,with chiming large gongs, and fast clattering metallophones.6. Polynesian PartyEuphoniumtakes the boat to the Polynesian Islandsto play at a Party celebrating the sea.7. Anthem to the ChrysanthemumFinally,Euphonium goes up north again and plays homagewith an Anthem to the mystical Chrysanthemum with a pentatonic melody representing happiness, love, longevity, nobility, and joy.
In Stock: Estimated dispatch 3-5 working days