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  • £38.80

    St. Julien - Arthur W. Hughes - Mark Freeh

    Estimated dispatch 5-10 working days

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  • £50.90

    Helter-Skelter - W. G. Lemon - Ray Woodfield

    Estimated dispatch 5-10 working days

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  • £38.60
  • £30.00

    My Little Welsh Home - Traditional

    A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    The St Louis Blues - Sandy Coffin, W C Handy

    Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.

    In Stock: Estimated dispatch 3-5 working days
  • £45.00

    Triumph Series Band Journal July 2013 Numbers 1239 - 1242

    No. 1239 March - Moving Onward (Nicholas Samuel)This march, written by Lieutenant Nicholas Samuel includes the melody from the song The Challenge of the Future written for the 125th Corps Anniversary at Upper Norwood. Other songs included are There's power in the blood of the Lamb , Here is the place and Wonder-working power.No. 1240 Selerction - O for a heart whiter than snow (Noel Jones)Eliza Edmunds Hewitt's song 'O for a heart that is whiter than snow', forms the basis for this selection written by retired Bandmaster Noel Jones. Brief references are also made to the choruses 'Grace ther is my every debt to pay' and 'Take up thy cross and follow me.No. 1241(1) Cornet Solo - In the bleak mid-winter (Trevor Worthington)A setting for cornet and band of the tune 'Cranham', written by Gustav Holst, with which we associate the words of the well-loved popular Christmas Carol.No. 1241(2) Invocation for thanksgiving (David Rowsell)Invocation, by definition, means ' a call to worship'. This music will serve this purpose for any Harvest or Thanksgiving service, using the tune, 'Come, ye thankful people, come'.No. 1242 High and lifted up (Steven Ponsford)This is music of an exciting yet relaxed nature, and it is intended that this piece be used to inspire and to 'lift up' listeners and players alike. Based on Michael W Smith's contemporary worship song, 'Open the eyes of my heart', this also contains the song 'Holy, holy, holy', to the tune of Nicea.

    Estimated dispatch 7-14 working days
  • £45.00

    Triumph Series Band Journal March 2012 Numbers 1223-1226

    No.1223 March - Joyful News (Ray Steadman-Allen)the composer freeli admits that it was probably 'doodling' on the piano that prompted this march! The title is linked to one of the incorporated tunes, 'My bonnie lies over the ocean' which, in The Salvation Army, is linked to the words, 'God's love is as high as the heavens'. In style, the march has a light swing feel.No.1224 Song Setting - Ask the Saviour (Michael Davis)A setting of the well-known melody, 'Yield not to temptation'.No.1225 Song Arrangement - Jesus Came! (Howard Davis)An arrangement of an old Salvation Army song, 'Jesus came with peace to me, His strong arm was stretched to me, Then my burden took from me - My Saviour'.No.1226 Processional - Shine on us (James Wright adapted by Andrew Mackereth)This bolero-style setting of Michael W Smith's anthem was originally made for s wedding at Sheffield Citadel. It was subsequently adapted for use at the Belfast Temple Music School when players entered the arena in groups, through several entrances, playing from memory.

    Estimated dispatch 7-14 working days
  • £14.95

    Crugybar (Cornet and Piano)

    The traditional Welsh tune of Crugybar is most commonly associated with words by Howell Elvet Lewis which appear in the Baptist Hymn Book of 1962; 'The light of the morning is breaking, the shadows are passing away'. The Salvation Army Song Book of 1986 lists two further hymns that can be sung to the tune; 'I stand all bewildered with wonder and gaze on the ocean of love' ( W F Crafts) and 'When Jesus from Calvary called me, unfolding its meaning to me' (Will J Brand). This arrangement was made for Martyn Bryant, the long-serving principal cornetist of Bristol Easton Band of The Salvation Army.

    Estimated dispatch 7-14 working days