Results
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£29.95Scripture-based Songs Compilation Full Score
No. of TuneTitleRefernece1Above all powersSpring Harvest Song Book 2003, 12All for theeThe Musical Salvationist, January 19763All Heaven declaresMagnify, 24All the world is waitingThe Musical Salvationist, April 19875As we are gatheredThe Source, 296Be bold, be strongThe Source,387Be still for the presence of the LordMagnify, 78Beauty for brokennessThe Source,379Blessd be the name of the LordThe Source,5310Breathe 11By his handSing to the Lord, Vol.1, Part 112Come, now is the time to worshipThe Source, 66213Come on and celebrate!The Source, 7514Come, thou Fount of every blessing (Nettleton)Salvation Army Song Book, 31315ContentmentHappiness & Harmony, 1416Crown him with many crowns (Diademata)Salvation Army Song Book, 15617Cwm RhonddaSalvation Army Song Book, 57818Do something beautifulSing to the Lord Children's Voices Series, Vol.1219Faithful GodThe Source, 8820Father, we love youHappiness & Harmony, 1621Give thanks with a grateful heartThe Source, 1822Glorious things of thee are spoken (Abbot's Leigh)Salvation Army Song Book, 15723God in youSing to the Lord, Vol.9, Part 224Great is the darkness (Come, Lord Jesus)Magnify, 1425He is ableSing to the Lord Children's Voices Series, Vol.1526He is the Lord (Show your power)Magnify, 1927Healing ChristSing to the Lord, Vol.6, Part 328Here am I, my LordThe Musical Salvationist, July 199129His ProvisionThe Musical Salvationist, July 198530Holy, holy, holy is the LordSongs of Fellowship, 18231HosannaThe Source, 18232How deep the Father's love for usThe Source, 185; Songs of Fellowship II, 78033I am a new creationThe Source, 19134I dare to be differentSing to the Lord, Vol.1, Part 135I love you, LordMagnify, 2436I will run to you (Your eye is on the sparrow)The Source, 109337In Christ aloneThe Source, 131138In his presenceSing to the Lord, Vol.9, Part 339In his time 40In Jesus' nameSing to the Lord, Vol.13, Part 141In this quiet momentSing to the Lord, Vol.13, Part 342It is to youMagnify, 3043Jesus is Lord!The Source, 28444Jesus, name above all namesHappiness & Harmony, 3245Joyful, Joyful (Europe)Salvation Army Song Book, 1046King of Kings, MajestyThe Source, 30947Knowing You (All I once held dear)Magnify, 348Light of the world (Here I am to worship)Sing to the Lord Children's Voices Series, Vol.1049Lord, I lift your name on highMagnify, 3850Lord, you know that we love youThe Musical Salvationist, April 198351Love Divine (Blaenwern)Salvation Army Song Book, 43852MajestyHappiness & Harmony, 4553My Lord and Christ!Sing to the Lord, Vol.2, Part 254My Lord, what love is thisThe Source, 37055My Saviour's love (I stand amazed)Salvation Army Song Book, 17956Nothing but thy bloodSing to the Lord Children's Voices Series, Vol.1357O God of burning, cleansing flame (Send the fire)Salvation Army Song Book, 20358O happy daySalvation Army Song Book, 36559Oh to see the dawn (The power of the cross)Spring Harvest Song Book 2005, 6760Only by graceMagnify, 4861Power of your love (Lord, I come to you)Magnify, 3762Praise, my soulSalvation Army Song Book, 1763Praise to the Lord (Lobe den Herren)Salvation Army Song Book, 1964Regent SquareSalvation Army Song Book, 14765Rejoice!The Source, 43866Shout to the Lord (My Jesus, my Saviour)Magnify, 4367Sing and make musicHappiness & Harmony, 5568Spirit of the living GodSongs of Fellowship, 511; The Source, 46369Storm the forts of darknessSalvation Army Song Book, 69670Teach me to danceThe Source, 46971The light has comeHappiness & Harmony, 6372The Potter's hand (Beautiful Lord, wonderful Saviour)The Source, 64073The servant King (From Heaven you came)The Source, 11474The splendour of the KingSpring Harvest Song Book 2005, 9775There is a redeemerMagnify, 5976To be in your presence (My Desire)Magnify, 6177To God be the gloryThe Musical Salvationist, April 198878Wake up, O sleeperSing to the Lord, Vol.6, Part 279We are marchingThe Source, 53980We have come into this placeHappiness & Harmony, 7381We want to see Jesus lifted highThe Source, 55982When the music fades (The heart of worship)Magnify, 7083Who is on the Lord's side? (Rachie)Salvation Army Song Book, 707
Estimated dispatch 7-14 working days
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£55.00Purcell Variations (Brass Band - Score and Parts)
Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.
Estimated dispatch 7-14 working days
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£19.95Mythical Tales (Brass Quintet)
Mythical Tales (2012) is a ten minute work in three movements which represents three of the most popular folk stories or indeed in the case of the first movement, true stories, in Welsh culture.I. Owain GlyndwrOwain Glyn Dwr was born around the 1350s into an Anglo-Welsh gentry family. His estates provided him with a modest power base in north-east Wales. After a number of disputes, he proclaimed himself prince of Wales in September 1400.Glyn Dwr led several battles with the English, although he was never captured. Over the next few years punitive measures were enacted to keep control of Wales, but these were matched by many acts of Welsh rebellion - among them the capture of Conwy Castle in April 1401. In June 1402, at the Battle of Pilleth on Bryn Glas Hill, Glyn Dwr led his troops to victory over an English army. By now Glyn Dwr was leading a national revolt. In 1404, he led a march towards Wocester, but failed, with the English capturing parts of Wales. He died defending his country.II. MyfanwyMyfanwy was the most beautiful woman in Powys, but she was vain and liked nothing better than to be told how beautiful she was. Many handsome men would court her, but she would not show interest because they couldn't sing and play to her, reflecting her true beauty.Luckily, a penniless bard, Hywel ap Einion was in love with Myfanwy, and one day plucked up the courage to climb up the hill to the castle with his harp, to sing and play to her. He's allowed in to play for her, and while he's playing and complimenting her on her beauty she can neither listen nor look at any other man. Because of this Hywel believes that she has fallen in love with him. But his hopes are dashed when a richer, more handsome and more eloquent lover comes along. The music of the second movement portrays the despair and upset that Hywel must have felt.III. Battle of the DragonsMany centuries ago when dragons roamed the land, a white ice dragon descended on a small village and decided to live there, not knowing that a red fire dragon was already living nearby.Six months later the red dragon awoke to find a huge white dragon wrapped around his village that he cared for. He could tell that his people were ill from the cold. The Land was bare; nothing was able to grow not even the pesky dandelions. The people were starving. The people longed for the red dragon to free them from the icy misery, so that their life and land could return to the sunny and warm climate that it was once before.The red fire dragon challenged the white ice dragon to a single combat fight at the top of the cliff the next day. The people of the village watched in terror awaiting their fate. The red dragon beat the white dragon, and the crowd cheered with joy as the red dragon roared with triumph. The mayor of the village declared that the land should always fly a flag with the symbol of a Red dragon on it. The flag's background should be half green and half white; the green to represent the lush green grass of the land and the white to represent the ice. This way no one would ever forget what happened.
Estimated dispatch 7-14 working days
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£34.95Funk Engine (Score and Parts)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£14.95Funk Engine (Score Only)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£34.95
Over the Horizon (Soprano Cornet Solo)
Soprano Cornet Solo with Brass BandOver the Horizon (2017), whilst both harmonically and compositionally a simple endeavour, is a spine-tingling beautiful melody for soprano cornet. Based on the painting seen in the sleeve notes of Steve Stewart's album of the same name, the work takes its inspiration from the open expansiveness of the ocean, glistening in the moonlight as four people sit quietly - two parents, a boy, and a girl. A feeling of heartfelt longing throughout the work which is developed both melodically and texturally by soloist and accompaniment; perhaps reflecting the desire to know indeed what is over the horizon. The longing intensifies with a climatic section of grandeur - a feeling of longing which arguably isn't resolved until that all-important - and high - last note.Over The Horizon was written for and commissioned by Steve Stewart and Cory Band in Spring 2017.
Estimated dispatch 7-14 working days
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£74.95Variations on an Enigma (Score and Parts)
Variations on an Enigma was commissioned by Howard Snell for the Desford Colliery Band and first performed by them in Gillingham, Dorset, England in September 1986.The 'Enigma' is a short snatch of a phrase taken from a well-known brass band test piece - a phrase which caught the imagination of the composer who took it as the basis of a sort of concerto for band with each section featured in turn. First the cornets have their turn, with a 'moto perpetuo', and they are followed by the horns and flugel whose variation is delicate and decorative. Trombones follow, each having there own tune in turn and then combining them together. Euphoniums and baritones have an expressive funeral march which is interrupted by percussion and basses who share a rhythmic, syncopated variation. A climax is reached and this is followed by a fugue (based on the theme) against which snatches of the preceding variations appear. The fugue heralds what turns out to be the theme on which all the variations are based, appearing in full at last, whose first five notes are derived from the 'enigma' theme. The piece ends with an emphatic final statement by the timpani.
Estimated dispatch 7-14 working days
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£37.95Variations on an Enigma (Score Only)
Variations on an Enigma was commissioned by Howard Snell for the Desford Colliery Band and first performed by them in Gillingham, Dorset, England in September 1986.The 'Enigma' is a short snatch of a phrase taken from a well-known brass band test piece - a phrase which caught the imagination of the composer who took it as the basis of a sort of concerto for band with each section featured in turn. First the cornets have their turn, with a 'moto perpetuo', and they are followed by the horns and flugel whose variation is delicate and decorative. Trombones follow, each having there own tune in turn and then combining them together. Euphoniums and baritones have an expressive funeral march which is interrupted by percussion and basses who share a rhythmic, syncopated variation. A climax is reached and this is followed by a fugue (based on the theme) against which snatches of the preceding variations appear. The fugue heralds what turns out to be the theme on which all the variations are based, appearing in full at last, whose first five notes are derived from the 'enigma' theme. The piece ends with an emphatic final statement by the timpani.
Estimated dispatch 7-14 working days
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£30.00Twelve Scripture-Based Songs Volume II
Twelve scripture-Based Songs arranged for Brass Band (Volume II) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased. Blessed be the name of the LordHe is exaltedHeaven is in my heartHoly, holy, holy is the LordI am a new creationI will call upon the LordIn his timeKnowing YouMy Lord, what love is thisThere is a redeemerWe are marchingWho is on the Lord's side? (Rachie)
Estimated dispatch 7-14 working days