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  • £53.00

    Life's Treasures (Suite) - Powell, TJ

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  • £26.50

    Light Cavalry - SuppA(c), F - Greenwood, JA

    Probably the most played overture in the brass band repertoire (because it works so well). Recorded on numerous occasions and numerous bands both for broadcast and disk. An impressive overture that doesn't require the intensive rehearsal that other overtures require.4th section

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  • £40.00

    Lionheart - Harper, P

    Lionheart was commissioned by the British Federation of Brass Bands for the 2007 European Brass Band Championships held at the Symphony Hall, Birmingham, and first performed at the Gala Concert by the European Youth Brass Band. It is a triumphant concert opener of about four minutes duration playable by second, first and championship bands.2nd section +

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  • £33.00

    Little Bit More - Gosh, B - Broadbent, D

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  • £50.00

    London River (Overture) - Heath, R

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  • £33.00

    Lord of the Dance - Traditional - Broadbent, D

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  • £33.00

    Los Mexicanos - Harper, P

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  • £35.00

    Love Came Down at Christmas - Rutter, J - Stowell, D

    Referred to by the BBC as "the most celebrated and successful composer of carols alive today," John Rutter's melodic and appealing music has always been synonymous with the warmest of Christmas glows.4th section +Duration 3 mins 30 secs

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  • £35.00

    Love Theme from Romeo and Juliet - Tchaikovsky, P - Harper, P

    Adapted from Tchaikovsky's famous overture, this romantic duet features flugel and euphonium.2nd sectionDuration 3.30 minsListen to Helen and Glyn Williams with Cory Band on 'Summon the Heroes'Courtesy of World of Brass

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  • £33.00

    Lux Aeterna - Harper, P

    The title Lux Aeterna (Eternal Light) can be interpreted on a number of levels. Musically it has a rather mystical feel to it, and the single note with which the piece begins continues uninterrupted throughout, like an inextinguishable flame, or a constant source of hope. There are lyrical and song-like solo lines for cornet, flugel and euphonium. In a recent review Paul Hindmarsh described the piece as a touching new work by Philip Harper that would have got my vote for best new work for its technical ingenuity if not its 'wow factor'.Listen to Cory BandCourtesy of World of Brass

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