Results
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£65.00RISE OF THE PHOENIX (Brass Band - Score and Parts) - Barry, Darrol
As the title suggests, the phoenix was a fabulous mythical bird, who every morning at dawn, sang a song so enchanting that even the sun God, Apollo, would stop and listen. The bird would live for a hundred years, and at the end of its life, would build a pyre, set it on fire and be consumed by the flames. After three days, the phoenix would be reborn from the ashes, to sing once more.This work was commissioned by Clifton and Lightcliffe Band and reflects the difficulties and rebirth of the band to make music once more.Suitable for second section bands and above.
Estimated dispatch 7-14 working days
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£27.50
RISE OF THE PHOENIX (Brass Band - Score only) - Barry, Darrol
As the title suggests, the phoenix was a fabulous mythical bird, who every morning at dawn, sang a song so enchanting that even the sun God, Apollo, would stop and listen. The bird would live for a hundred years, and at the end of its life, would build a pyre, set it on fire and be consumed by the flames. After three days, the phoenix would be reborn from the ashes, to sing once more.This work was commissioned by Clifton and Lightcliffe Band and reflects the difficulties and rebirth of the band to make music once more.Suitable for second section bands and above.
Estimated dispatch 7-14 working days
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£40.00Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40
Estimated dispatch 7-14 working days
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£68.99That's the Way I Like 'Em (Brass Band - Score and Parts)
For many years Peter Kleine Schaars' jazz quartet provided sparkle and energy for various festivities and other occasions. If required the ensemble could alternate jazz repertoire with pop and latin music too. Their wide experience taught the musicians that an hour of unbeatable repertoire is the perfect end to every swinging party. Based on this practical knowledge Kleine Schaars has chosen his favourite pop pieces and arranged them in this animated medley entitled That's the Way (I like Them). 08:45
Estimated dispatch 7-14 working days
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£69.95The Journal of Phileas Fogg (Brass Band - Score and Parts) - Graham, Peter
2016 National Championships Regional Testpiece - 3rd Section.The novels by Jules Verne have been a rich source of inspiration for composers over the years. Graham has taken elements of the epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg.Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fight) before a final circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip.The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children's Brass Band of Great Britain and was first performed by them in July 2012, conducted by Dr Robert Childs.
Estimated dispatch 7-14 working days
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£29.95
The Journal of Phileas Fogg (Brass Band - Score only) - Graham, Peter
2016 National Championships Regional Testpiece - 3rd Section.The novels by Jules Verne have been a rich source of inspiration for composers over the years. Graham has taken elements of the epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg.Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fight) before a final circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip.The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children's Brass Band of Great Britain and was first performed by them in July 2012, conducted by Dr Robert Childs.
Estimated dispatch 7-14 working days
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£59.99
The Tears of a Clown (Brass Band - Score and Parts)
Stevie Wonder wrote The Tears of a Clown in 1966 and gave it to Smokey Robinson as a Christmas gift. Robinson and his band, The Miracles, turned the song into a massive hit. The songs steam-organlike sounds gives it a very unique characteristic and over the years has been recorded by numerous artists. Now you can also record it with your brass band! 02:50
Estimated dispatch 7-14 working days
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£53.50
Theme from JAG (Brass Band - Score and Parts)
The television series JAG (Judge Advocate General), which was first broadcast in America in 1995, has become internationally known over the years. In Europe, too, people have become acquainted with the legal wing of navy officers and the intrigues surrounding Commander Harmon "Harm" Rabb (David James Elliott) and his partner Lieutenant Colonel Sarah "Mac" MacKenzie (Catherine Bell). Both inside and outside the courtroom they fight with one major aim: winning! In their personal relationships, there's a good deal of tension too. The theme tune to this television series, full of action and adventure, has been arranged for brass band by Roland Kernen. 02:00
Estimated dispatch 7-14 working days
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£37.95Connotations (Brass Band - Score only) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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£74.95
Connotations (Brass Band - Score and Parts) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
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