Results
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£34.95
COME AND GET SAVED (Brass Band Set) - Bruce Broughton
This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
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£34.95
Come And Get Saved (Brass Band - Score and Parts) - Broughton, Bruce
This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
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£17.50
Come And Get Saved (Brass Band - Score only) - Broughton, Bruce
This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
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£29.95Judd: Come and get Saved
This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
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£29.95Carol of the Bells
Christmas time is my favourite time of year. I love the festive spirit and all the Christmas music both traditional and modern.This piece is based on the traditional Ukrainian Bell Carol that was composed by the Ukrainian composer Mykola Dmytrovych Leontovych. Throughout the piece you hear a four note ostinato that is the backbone to the music. I have taken those ideas and motifs and have mixed them with some of my own to create this piece of Christmas music.For something different I have given this piece two endings for the conductor to choose. The first ending is at bar 189 (page 18 in the score) where there is the repeated four bar ostinato section in the solo cornets and percussion that is marked "Keep repeating and fade to nothing". This is so the piece can either fade to nothing or for a bit of originality the piece can fade into the next piece during a concert programme.For ending number two you need to cut from bar 189 to 193 (bypassing ending one). And continue to the end. The choice of endings should bring some interesting performances of this wonderful traditional Christmas piece.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£104.99
A View at the Zoo Brass Band (Score & Parts)
Everybody is familiar with the zoo. Remember all those animals? Big ones, small ones. Water dwellers, air-bound birds, long legged hoppers, creeping bugs. All animals seem to have their own peculiarities. Now, Carl Wittrock (who also composed the world-famous master piece 'Lord Tullamore') invites you to join him in a musical exploration of the animal kingdom. An invitation you must not reject! In his 'A view at the Zoo', Wittrock presents ten distinctly different animals as compositions of music. You may be familiar with some of those animals, such as the white swan or the butterfly, but there are also more exotic breeds, like the lion, the monkey, or the elephant. The composition as a whole is built around a structure of shorter fragments reminiscent of 'The Paintings Exhibition' by Moussorgsky. The parts are decorated with recognizable illustrations of the different animals. At each composition, Wittrock looks for something that can fascinate both musicians and listeners. In this he succeeded extremely well. 11:00
Estimated dispatch 7-14 working days
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£54.99
God rest ye merry Gentlemen Brass Band (Score & Parts)
God rest ye merry, Gentlemen' is an ancient English carol. It was first published in 1833, but it can be traced as far back as the 15th century, which makes it one of the oldest carols known. 'God rest ye merry' is a Middle English salutation. In this manner, people wished one another greatness and might. In modern English, the first line of this carol would read 'May God keep you mighty, gentlemen'. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable, but the arranger has taken a good many liberties. Sometimes a particular note is held longer, at times motifs follow one another in various parts. If you listen carefully, you may even be able to detect a motif from another well-known song. 01:45
Estimated dispatch 7-14 working days
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£12.99
God rest ye merry Gentlemen Score Only
God rest ye merry, Gentlemen' is an ancient English carol. It was first published in 1833, but it can be traced as far back as the 15th century, which makes it one of the oldest carols known. 'God rest ye merry' is a Middle English salutation. In this manner, people wished one another greatness and might. In modern English, the first line of this carol would read 'May God keep you mighty, gentlemen'. Andrew R. Mackereth has not kept to the original words in his up-tempo arrangement of the carol. It is still clearly recognizable, but the arranger has taken a good many liberties. Sometimes a particular note is held longer, at times motifs follow one another in various parts. If you listen carefully, you may even be able to detect a motif from another well-known song. 01:45
Estimated dispatch 7-14 working days
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