Der Zaubermarsch (Brass Band - Score and Parts) - Ares, Rob

Duration: 4.00

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DERBORENCE

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DERWENT SUITE, A (Brass Band) - Smith, Sandy

Grade: Easy/Medium.

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Desafinado (Flugel Solo) (Brass Band - Score and Parts)

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Desenchantee (Brass Band - Score and Parts) - Boutonnat & Farmer - Bernaerts, Frank

Performed by Mylene Farmer and Kate Ryan. Duration: 03:40

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Desiree (Brass Band - Score and Parts) - Bernaerts, Frank

Performed by Gilbert Becaud. Duration: 03:50

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DESPERADO (Brass Band) - Glenn & Henley - Wormald, Christopher

Medium/Easy

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Destination Moon (Brass Band - Score and Parts) - Raphael, Paul

Destination Moon was first performed by Cory Band at the 2017 European Championships in Ostend, Belgium, and is inspired by the Belgian comic-book hero Tintin. The first part is called 'Science' and describes the development of the theory of space travel. The second part is 'Humanity' which addresses human concerns and philosophies about our place in the universe. The third part is 'The Launch' which ends with a repetition of the words 'Earth to Moon Rocket - are you receiving me?' as the rocket vanishes into a tiny speck in the sky. Duration: 18.45

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Destroy, Trample, As Swiftly As She (Brass Band - Score and Parts) - Higgins, Gavin

Destroy, Trample, As Swiftly As She, was commissioned by the Tredegar Town Brass Band. This dramatic, virtuoso score contrasts episodes of visceral energy of pounding rhythms and wild flutter tonguing and brassy angular themes with the ominous stillness of calmer moments suffused with the unique sound of four flugel horns. Suitable for Championship Section Bands. Duration: 18.00

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Deus Invictus - God Unconquered (Brass Band - Score and Parts) - Mackereth, Andrew

Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.