Le Marais (Brass Band - Score and Parts) - Bouthier, Christian

Le Marais is a semi-programmatic composition by Christian Bouthier. It contains three movements, each of which is based on a different aspect of the Parisian district of the same name. Le Marais is said to be one of the prettiest neighbourhoods in Paris, where fashion, culture, food and architecture meet and mingle.Duration: 6:15

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Le Marginal (Brass Band - Score and Parts) - Morricone, Ennio - Kadlec & Moren

Duration: 2.30

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LE PETIT NEGRE (Brass Band) - Fernie, Alan

Medium

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Le Prophete (Brass Band - Score and Parts)

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Le Roi d'Ys (Brass Band - Score and Parts) - Lalo, Edouard - Wright, Frank

OvertureLe roi d'Ys (The King of Ys) is an opera in three acts and five tableaux by the French composer douard Lalo, to a libretto by douard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille.

Le Roi d'Ys (Brass Band - Score only) - Lalo, Edouard - Wright, Frank

OvertureLe roi d'Ys (The King of Ys) is an opera in three acts and five tableaux by the French composer douard Lalo, to a libretto by douard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille.

LE ROI D'YS (Overture) (Brass Band) - Lalo, Edouard - Lorriman, Howard

Advanced

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Le Roi D'Yvetot (Brass Band - Score and Parts) - Chabrier, Emmanuel

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Le Sentinel (Brass Band - Score and Parts)

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Lead, Kindly Light (Brass Band - Score and Parts) - Broughton, Bruce

This beautiful hymn is one of trust and faith, building in confidence 'till the night is gone.' This arrangement follows that line of confidence. The melody begins unaccompanied, which is to say 'alone', and the eventual accompanying voices enter sombrely. Instead of a traditional final cadence, the 'leading of the light' continues, using the first four notes of the hymn as a motif that leads to a second, more positive statement of the melody, underscored by a walking motion. The positivity grows and lasts through a final grand statement of the hymn. A short meditative coda follows, and the arrangement ends with a solo note of reflection.

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