Start Your Instruments (Flexible Ensemble - Score and Parts) - Fernie, Alan

4 Part Flexible Ensemble and PercussionContains:Home GroundSmelly SocksKnight RideRock-Out, Shout-Out!

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STAYIN ALIVE (Brass Band) - Gott, Barrie

The classic 70s Bee Gees hit.

Steadily Forward March (Brass Band - Score and Parts) - Kirk, Harry

This march is derived from the chorus of the same name and, in addition to using it in its entirety, phrases of the chorus appear several times during its course.

Steadily Forward March (Brass Band - Score only) - Kirk, Harry

This march is derived from the chorus of the same name and, in addition to using it in its entirety, phrases of the chorus appear several times during its course.

Steadily Onward (Brass Band - Score and Parts) - Leidzen, Erik

Steadily Onward stands as the last in a series of festival marches which began with Pressing Onward in the 1920s and continued with the less well-known Fling Wide the Gates in the 1930s. The third strain, the bass solo, features Leidzen's own song 'Onward' while the trio contains one of his most infectious, lilting melodies.

Steadily Onward (Brass Band - Score only) - Leidzen, Erik

Steadily Onward stands as the last in a series of festival marches which began with Pressing Onward in the 1920s and continued with the less well-known Fling Wide the Gates in the 1930s. The third strain, the bass solo, features Leidzen's own song 'Onward' while the trio contains one of his most infectious, lilting melodies.

Steady On (Brass Band - Score and Parts)

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STEAL AWAY

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STELLA (Brass Band) - Hemy, H. T. - Fernie, Alan

Grade: Easy

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Step Aside Brass Band (Score & Parts)

Excuse me, may I play along? Could you step aside, please? 'Step Aside' is a pleasant competition both between two tempi and among the different parts. After a short, slow introduction it is the drummer who, without asking the questions above, sets the high pace. As soon as this rapid movement has been established, 'part 1' takes the lead, but the other parts obviously don't want to miss a thing and follow in rapid succession. At the end of the composition the various parts 'compete' in order to be able to play solo for a while, but soon others join in again, asking 'Excuse me, may I play along?' 02:15

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