Variations on Was Lebet (Brass Band - Score and Parts) - Wainwright, Andrew

Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!'

  View Music

Variations on Was Lebet (Brass Band - Score only) - Wainwright, Andrew

Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!'

  View Music

Variazioni in Blue (Brass Band - Score and Parts) - De Haan, Jacob

Variazioni in Blue is a series of variations in which elements from the Blues, such as the specific blue notes, run throughout the piece. Following a stately introduction, which includes part of the theme, is an ornamental variation in classical style. We then hear a variation in Blues style, followed by a fast variation with an Eastern European folklore feel. The Andante con espressivo is particularly fine with its attractive harmonic changes. This variation develops into a repeat of the previous folklore variations with its major variation forming a climax towards the end.Duration: 6:30

VARIED MOOD (Euphonium Solo with Brass Band) - Woodfield, Ray

Grade: Medium.

  View Music

VARIETY OF SKILLS (Brass Band) - Pallhuber, Hermann

Commissioned for the 2012 Dutch National Brass Band Championships as the set test piece for the championship section. Duration: 17:00

  View Music

Vectis Isle (Brass Band - Score and Parts)

-

  View Music

VEGAS NIGHTS (Brass Band) - Barry, Darrol

Grade: easy/medium

  View Music

Venamair (Rhapsody) (Brass Band - Score and Parts)

-

Veni Immanuel (Brass Band - Score and Parts) - Sparke, Philip

Meditation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 6:00

  View Music

VENOM

-