Judd: Finale William Tell Overture

'William Tell' was completed by Rossini in 1829 and was his final stage work. The finale from the opera's overture constitutes one of the most familiar pieces in classical music repertoire having been popularised as the theme from the 60's TV classic 'The Lone Ranger'. This transcription for brass band is by Commissioner Sir Dean Goffin.

Judd: Flag of Freedom

This march's title is not patriotic but relates to the Salvation Army flag, a symbol of spiritual liberation and salvation. The score notes, written by the editor, Lieut-Colonel Frederick Hawkes, refer to 'the well-contrasted melodies, the balanced effect of the scoring and ever-changing effects in regard to light and shade'.

Judd: Flourish

This solo was written for Philip Cobb and takes its inspiration from Virtuosity, a trumpet solo by Kenny Baker. The song Hand me down my silver trumpet is referred to in the two outer sections while the laid-back, jazzy central section features the song When the roll is called up yonder. The reason for including this song is the first line of the first verse which reads When the trumpet of the Lord shall sound.

Judd: Folk Dances

Shostakovich's original was scored for symphony orchestra and subsequently arranged for military band by Vakhvinsky. This transcription for brass band is by Torgny Hanson from Sweden.

Judd: For the World

March 2017 ReleaseFor the World (Sam Creamer)Originally written for the Melbourne Staff Band 125th Anniversary, this developed work features many genres of music but keeps as its central theme the song 'The World for God'. This is bright and abounds in energy throughout. Other tunes featured are 'Christ for the world we sing', 'He's got the whole world' (in a 'Dixieland' style) and 'Christ for the whole world' (in a 'Swing' style).

Judd: French

Judd: Gaudete

A Christmas mini-overture featuring three medieval carols; 'Coventry Carol', 'Gaudete' and 'Unto us a boy is born'. A fun piece for player and listener alike.

Judd: Glory Hallelujah - March 2018

This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me. Glory, Hallelujah!'

Judd: God Rest Ye Merry Gentlemen

A short but interesting arrangement featuring dynamic and rhythmic contrasts.

Judd: Goldcrest

A great march more suited to festival rather than procession, Goldcrest by James Anderson has long been a favourite with Salvation Army Bands. Degree of difficulty - 6