Judd: Mighty To Save

Mighty to Save is the quintessential Salvation Army march; catchy tunes, well scored, useful on parade or in concert, fun to play and unequivocal in message; Jesus is Mighty to Save!...From the uttermost to the uttermost, Mighty to Save!

Judd: Minneapolis IV

This march was the outcome of a request from Minneapolis IV Corps to write a march to celebrate its 60th anniversary. It is said that the composer received $25 for his efforts! At the time of its writing, Soderstrom had become a leading arranger for NBC Radio in Chicago and had mastered many contemporary American styles. His lush harmonies remind one of Gershwin, Porter, Berlin and Rodgers while even the scoring suggests an American big-band of the swing era! These and other novel touches make the march interesting to listen to, as well as to play, over 60 years on.

Judd: Montclair Citadel

Judd: Montreal Citadel

First published in 1934, this famous old march was written when the composer was Bandmaster at Montreal Citadel.

Judd: Motivation

The title of this extended march is derived from the song 'Would you know why I love Jesus, Why he is so dear to me? 'Tis because my Blessed Saviour From my sins has ransomed me.'

Judd: Motondo

This march commemorated the International Scouts 'Motondo' held in Holland in 1952. Motondo is an African word meaning 'a gathering for giving thanks'. A favourite chorus from the event is used in the trio section, 'Travel along in the sunshine, on the King's highway'. Unusually for 'general use' marches, Motondo has an alternative 'concert' ending which can be used if the Da Capo is not employed.

Judd: Music For A Joyful Occasion

This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.

Judd: Music of a Legacy - Contest Version - Steven Ponsford

Newly edited contest version.This piece pays tribute to the vast heritage of Salvation Army brass band music. Written in one movement, it is rhapsodic in nature and quotes references from just a few of the many iconic pieces from the past, progressing naturally through the different styles of music; firstly marches, followed by meditations, major works and then solos. The underpinning theme that binds the work together is the much-loved hymn, by Timothy Dudley-Smith, drawing particular attention to the last line of the first verse; Lord for the years, we bring our thanks today. This is music of thanksgiving to the rich inheritance that inspires writers today to continue the mission of the gospel through this very special and unique genre.

Judd: Music of a Legacy - Original Version - Steven Ponsford

This piece pays tribute to the vast heritage of Salvation Army brass band music. Written in one movement, it is rhapsodic in nature and quotes references from just a few of the many iconic pieces from the past, progressing naturally through the different styles of music; firstly marches, followed by meditations, major works and then solos. The underpinning theme that binds the work together is the much-loved hymn, by Timothy Dudley-Smith, drawing particular attention to the last line of the first verse; Lord for the years, we bring our thanks today. This is music of thanksgiving to the rich inheritance that inspires writers today to continue the mission of the gospel through this very special and unique genre.

Judd: Music of Thanksgiving

This is an extensive work consisting of a theme, five variations and a finale. The theme is the hymn tune 'Whitechapel' whose former title 'Death is coming' did little to encourage its use! A wide range of moods are covered, from the delicate and tender to the robust and jubilant. The music was originally written for the London Citadel Band (Ontario, Canada).