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£33.00
A Hebridean Lullaby (Baritone Solo) - Harper, P
Composed for World Solo Champion Katrina Marzella and the Cornwall Youth Brass Band, A Hebridean Lullaby is a beautiful and haunting melody from the pen of Philip Harper, taking its inspiration from the music and folksong of the Hebrides; a cluster of islands off the west coast of Scotland. Commissioned through a BBC Fame Academy Bursary, this piece is one which is enjoyed and admired by both performers and audiences the world over. The atmosphere created by the score is simply stunning. It's an outstanding addition to the baritone horn's concert repertoire.4th section +
In Stock: Estimated dispatch 1-3 working days
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£77.00General Series Brass Band Journal, Numbers 2246 - 2249, August 2024
2246: Christmas Prelude - David's City (Noel Jones)In 2 Samuel 5, we read of David's anointing as King of Israel at the age of thirty, a reign that lasted for forty years. Bethlehem was known as 'David's city' because he was born there and worked as a shepherd on the nearby hills. Verses 1, 2 and 5 of Once in Royal David's City (C.C. 68) are featured in this Christmas Prelude. There are also brief references to the carols O come, all ye faithful and O little town of Bethlehem between verses.2247: Cornet and Euphonium Duet - This Kingdom (Stephen Bulla)Geoff Bullock's song, This Kingdom, has been made well known by the American gospel singer Ron Kenoly. Stephen Bulla wrote this duet for a Brass Spectacular concert held in Basel, Switzerland, in May 2019.2248: Wonder (Stephen Gibson)When we stop to consider the mystery of God's love for each one of us, its enormity can only cause us to wonder. The opening bars of this music create an atmosphere, using a rolling accompaniment underneath sustained, music and chromatic Cornets, setting the style for the entire piece. Occasional references to Albert E. Webber's chorus Can you wonder? are heard throughout.2249: O to love thee! (Michael Davis)This piece takes its title from the first verse of Francis Bottome's words, Precious Jesus, O to love thee! The introduction establishes the baroque form of a prelude which leads into the tune Glory to the lamb (T.B. 327). Following a brief interlude, the melody is passed through several sections of the band, with delicate countermelodies in the Flugel and Horns. The majestic ending eventually comes to rest on the final tonic chord.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1355 - 1358, November 2023
1355: March Medley - Pardoned Forever (Keith Manners)This collection of Easter-themed melodies should be played with enthusiasm and vigour. Featuring the songs He lives (S.A.S.B. 229), Chris is alive! Let Christians sing (S.A.S.B. 217) and No more! No more! He remembers sins no more (S.A.S.B. 460), the positive message of Easter Sunday is reflected in this bright march style.1356: Selection - I love the sweetest name (Noel Jones)This devotional selection includes three songs that feature the name of Jesus and derives its title from the following lines of those songs; 'How sweet the name of Jesus sounds' (S.A.S.B. 78), 'O, how I love the Saviour's name! The sweetest name on earth' (S.A.S.B. 94) and 'Sweetest name on mortal tongue' (S.A.S.B. 93).1357: Renewal (Harold Burgmayer)Will J. Brand penned the song Renewal (S.A.S.B. 634), with music by Bramwell Coles, for 'Day of Renewal' meetings conducted by General Albert Orsborn in October 1949. It was published in that form in The Musical Salvationist in 1951. Over time these meaningful words of consecration became wedded to an alternative tune, a lovely melody by Oscar Ahnfelt known as Trust in God (T.B. 903). This setting for band is based on a male-voice arrangement, conceived for a time of renewed consecration, sung by massed bands at the Canadian Staff Band's 50th Anniversary Festival in 2019.1358: Groove Hosanna! (Munashe Chikwezvero)This is a funk setting of three well-known melodies associated with Jesus' triumphal entry into Jerusalem. Today, such celebratory processions, and indeed most large gatherings, usually feature rich forms of music-making. Music provides atmosphere and generates excitement, and it is hoped that a funk inspired arrangement of these songs will inspire listeners to 'move to the groove'. The first two songs, Children of Jerusalem (S.A.S.B. 356) and Give me joy in my heart, keep me praising (S.A.S.B. 362) encourage us to sing 'Loud hosannas to our King!'. The words of the third song, When his salvation bringing, remind us that he "smiled to hear their song".
Estimated dispatch 7-14 working days
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£34.95Pandemic 1342 (Brass Band - Score and Parts)
'Pandemic 1349' was written during September and October 2016 and received its premiere on Sunday 20 th November at the 40 th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award.'Pandemic 1349' is a concert work that aims to capture the atmosphere of fear and terror as the plague spreads throughout the city. The cries and screams get louder and reach a chaotic climax, before a calmer and reflective passage takes over - although the chaos and fear never totally leaves as the melodic material is played against the backdrop of what has gone before.London lost almost half of its population during the Black Death, making this one of the single most devastating events in the city's dark history. The outbreak not only shaped the number of inhabitants in London but also changed their mind-sets with many turning to religion - even the English language was to be forever altered.
Estimated dispatch 7-14 working days
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£14.95Pandemic 1342 (Score Only)
'Pandemic 1349' was written during September and October 2016 and received its premiere on Sunday 20 th November at the 40 th Brass in Concert Championships at the Sage, Gateshead where it received the best new composition/arrangement award.'Pandemic 1349' is a concert work that aims to capture the atmosphere of fear and terror as the plague spreads throughout the city. The cries and screams get louder and reach a chaotic climax, before a calmer and reflective passage takes over - although the chaos and fear never totally leaves as the melodic material is played against the backdrop of what has gone before.London lost almost half of its population during the Black Death, making this one of the single most devastating events in the city's dark history. The outbreak not only shaped the number of inhabitants in London but also changed their mind-sets with many turning to religion - even the English language was to be forever altered.
Estimated dispatch 7-14 working days
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£39.99Four Cornish Dances Op.91 (Brass Band - Score and Parts)
Ray Farr's arrangement of Malcolm Arnold's suite Four Cornish Dances brilliantly retains the atmosphere of the orchestral original with its evocation of Cornish sea-farers, of deserted tin mines, of marching bands, Methodism, May Days and Moody and Sankey hymns.Suitable for 1st Section Bands and aboveDuration: 10.00
Estimated dispatch 7-14 working days
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£59.99Infernal Ride (Brass Band - Score and Parts)
Infernal Ride is mercurial and virtuosic, reflecting the mad-cap chase of Ichabod Crane's final ride on his horse, Gunpowder, in the story by Washington Irving, namely The Legend of Sleepy Hollow. Often an atmosphere of driven fear pushes the music forward, only briefly stopping for breath. The work closes with flourishes in rapid succession, perhaps with the hapless Ichabod meeting his unfortunate end!Suitable for 1st Section Bands and aboveDuration: 7.00
Estimated dispatch 7-14 working days
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£59.95Judd: Caelum Corona - Stephen Bulla
Stephen Bulla's 'Caelum Corona' ('Crown of Heaven') portrays, in sound, a Christian's walk in faith, intended metaphorically via a musical narrative reminiscent of the early church pilgrims, their struggles and triumphs. The composer initially evokes the atmosphere of Rome at the time of St. Paul and other martyrs, thus the Latin title. Bulla marks his imaginative tone poem with dark, brooding music in the first two of three parts, in each of which he has embedded an appropriate hymn or song reference as thematic material. The first of these sounds in a minor key following a symphonic exposition made up primarily of fanfare-like motives, the music at times quite harsh and abrasive. The song is Paul's statement of exuberant faith (2 Timothy 1:12) in the midst of prison and persecution: 'For I know whom I have believed, and am persuaded that he is able to keep that which I've committed unto him against that day.' More challenging, aggressive music returns until a further point of reflection on Christ's sacrifice is reached. The music graphically evokes the barren landscape of Golgatha, the horror of the crucifixion, including stark wind sounds, a loss of stability via eerie, dissonant chord clusters, and even the nails being driven into Christ's body. The Baritones and then Flugel Horn softly play 'He died of a broken heart.' Yet the Christian life, despite its perils - both at the time of Paul and now - is a victorious life, and the composer resolves the tensions of the work in a scintillating finale, a brilliant setting of the old song about spiritual warfare and the ultimate triumph of Christ the King: 'Victory for me!' (T.B. 841). The chorus of that tune proclaims: 'No retreating, hell defeating, shoulder to shoulder we stand; God look down, with glory crown our conq'ring band.' That crowning is the same one sought and claimed by St. Paul (2 Timothy 4:8): 'Now there is in store for me a crown of righteousness, which the Lord, the righteous judge, will award me on that day, but also to all who have longed for his appearing.' Believers look forward to participating in the final coronation of their Saviour - King of Kings and Lord of Lords - while humbly desiring their own 'crown of heaven.'
Estimated dispatch 7-14 working days
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£24.95Judd: Love Divine
Sir John Stainer's fine tune is often associated with Charles Wesley's hymn, 'Love divine, all loves excelling'. The introduction is designed to evoke a feeling of awe, and a broad, confident style will set the pattern for the whole arrangement. Contrast in colour has been sought in the scoring but special effects must not be allowed to obscure the melody. The arrangement ends in an atmosphere suggested by the final line of the hymn, 'Lost in wonder, love and praise'.
Estimated dispatch 7-14 working days
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£29.95Judd: The Pilgrim Way
Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.
Estimated dispatch 7-14 working days
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