Results
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£34.95Enter the Galaxies - Paul Lovatt-Cooper
Enter the Galaxies paints a musical picture of the experiences and excitement space exploration has to offer. The music begins with a 'space-like' whirlwind of triplets and semiquavers from the cornets and glockenspiel which accompanies a fanfare from the 'middle'...
Estimated dispatch 5-7 working days
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£64.95Esprit - Darrol Barry
Esprit is a rhapsodic adventure for brass band and percussion. During its twelve minutes, features all soloists and sections of the band. After a vibrant opening the main melodic work is in the lower band accompanied by swirling cornets. The...
Estimated dispatch 5-7 working days
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£34.95
HIGH COUNCIL, The (Brass Band Set) - Ray Steadman-Allen
This march was written at the request of the then Chief of the Staff, Commissioner Arnold Brown for the welcome meeting of the 1974 High Council, a gathering of The Salvation Army's top leaders from around the world who meet to elect a new General. The scintillating music is filled with many wonderful and surprising shifts of key, rhythm and instrumental colour. Evangeline Booth's song 'The world for God' provides the international reference while at the trio's peak, the composer joins three tunes in impressive counterpoint; 'We're the Army' (cornets), 'A Robe of White' (horns and baritones) and 'Bound for Canaan's Shore' (trombones). The march ends with a dazzling shift into triple time and an impressive molto allargando codetta.
Estimated dispatch 7-14 working days
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£34.95
MARCH OF THE HOURS (Brass Band Set) - Emil Soderstrom
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£29.95
CALIFORNIA (Brass Band Set) - Emil Soderstrom
In retirement, Emil Soderstrom moved to California and honoured his new home with this light-hearted but demanding march. The composer has said that the motif given to the upper cornets in the second strain stands for 'Ca-li-for-nia'! His love of startling chromatic passages is evident in the 'break up' strain of the trio section which is marked by a sudden key change and a fragment of the song Sunshine in my soul today, a reference to the Californian weather.
Estimated dispatch 7-14 working days
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£29.95
TO WIN THE WORLD (Cornet and Trombone Double Trio with Brass Band Set) - Stephen Bulla
This double trio (three cornets and three trombones) was written for the National Capital Band of The Salvation Army in memory of Colonel William Maltby and is based on his own chorus, 'Keep on marching with a fighting faith'. Each solo part is of equal importance so six competent soloists will be required in order to make the piece sparkle!
Estimated dispatch 7-14 working days
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£34.95
JOYOUS CARILLON (Brass Band Set) - Norman Bearcroft
This music takes the form of a double trio (cornets and trombones) with full brass band accompaniment and is based on the composer's own Christmas song for female voices, 'Carol of the Bells'.
Estimated dispatch 7-14 working days
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£59.95
KING OF HEAVEN (Brass Band Set) - Kenneth Downie
Based on the well-known hymn 'Praise my soul, the King of Heaven', this composition was specially written for The International Staff Band. A veritable showcase for the brass band, featuring each section in turn (cornets, horns and baritones, trombones, euphoniums and basses, percussion), the music concludes with an exciting and dramatic presentation of the theme.
Estimated dispatch 7-14 working days
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£34.95
I'LL NOT TURN BACK (Cornet and Euphonium Duet with Brass Band Set) - Ivor Bosanko
A setting of the challenging song with the words 'I'll not turn back, whatever it may cost'. Written as a duet for Cornet and Euphonium, but can be played by two Cornets or two Euphoniums.
Estimated dispatch 7-14 working days
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£15.00Symphony in Two Movements (Brass Band - Study Score) - Gregson, Edward
Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days