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£228.70Fanfare and Chorale - Egil Hovland
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£104.99Purcellian Fantasia - Jan de Haan
This composition is based on the march from Henry Purcell's Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme; these movements not onlyelaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own; however, the composer often refers back to fragments of the theme. This work was test piece in the 4thdivision of the Dutch National Brass Band Championships (NBK) in 2017.
Estimated dispatch 5-14 working days
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£85.00Alchymist's Journal. - Kenneth Hesketh
'The Alchymist's Journal' gets its title from the book of the same name by American author Evan S. Connell. The book fictionalises a number of famous Alchemist's writings, each one developing another's thoughts thuscontinuing one idea but changing it subtly to provide a new view point or way of thinking. This process is, in fact, alchemical as one idea transmutes into another. This idea is parallel to the processes at work within thesevariants. The whole work is constructed from 6 notes (C, A, B flat, E flat, F sharp, E) and is presented in nine different sections, each individual in mood but still based upon the original pitches. This is not a thematic setofvariations, as the themes are developed one at a time from small segments of the six notes. For example, the opening theme is the complete number of pitches, the second theme uses three notes transposed then repeated at theoriginal level, and so on. Harmonically, the six notes can be divided into two triads, A minor and E flat minor - each key beginning and ending the piece respectively. Whilst this is essentially abstract music with noprogramme there is an introduction, menacing scherzo, slow reflective section followed by a recap of the scherzo and final coda. 'The Alchymist's Journal' was commissioned by the Brass Band Heritage Trust at the suggestionof Paul Hindmarsh, to whom the work is dedicated.
Estimated dispatch 5-14 working days
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£95.00Penlee - Simon Dobson
To some, the tragic story of the Penlee lifeboat, Solomon Browne, would need no introduction, and to some the pain felt is still very much a reality. The composer, born just a few weeks before that fateful night on the19th December 1981, has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory. Penlee was commissioned by the Cornwall Youth BrassBand using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band, conducted by Ian Porthouse, at St. Michael's Church, Newquay, on 30th December 2008.Penleehas been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame, but it was also thehighest new entry. The work has subsequently been recorded by the Leyland Band, conducted by Jason Katsikaris, on the CD entitled Penlee.Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 13 minutes
Estimated dispatch 5-14 working days
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£72.99Prelude and Chorale - Stijn Roels
Prelude and Chorale is a scintillating, dynamic opening piece based on the brilliant finale from the earlier concert work Aureus. The latter work is built around a magnificent hymn--which also forms the common thread running through this overture.As the title suggests, the work begins with a modern 'prelude': a prologue to the actual hymn. The beginning of the hymn, especially, serves as the source of the thematic material. The hymn melody itself is immediately embellished by a counter-melody and supported by a rhythm section of bass and drums. This all leads to an energetic passage in which the proverbial stops are pulled out once more.
Estimated dispatch 5-14 working days
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£129.99Extreme Make-Over - Johan de Meij
The work, set as the test-piece for the 2005 European Brass Band Championships was inspired by a theme from the second movement of Tchaikovsky's String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky's Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the Cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.
Estimated dispatch 5-14 working days
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£99.99Sparkling Brass - Philip Sparke
Sparkling Brass was commissioned by Osaka Concert Brass, one of Japan's top brass bands, and premiered by them on 27th December 2018 during a concert which celebrated their 10th Anniversary. The work opens in lively mood with fanfare-style figures from the lower band which are answered by the cornets. This interplay intensifies until the mood calms suddenly to introduce a chorale which leads to a duet-cadenza for cornet and euphonium. The rhythmic mood of the opening soon returns and leads to the main theme of the work, a modal caccia which features various section of the band. A short bridge passage leads to a change of key and a new cantabile theme which isintroduced by euphoniums and baritone. This is taken up by the full band after another change of key and leads back to the caccia theme. A transformed version of the opening fanfare returns to close the work.
Estimated dispatch 5-14 working days
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£40.00Trittico (Score only) - James Curnow
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30
Estimated dispatch 7-9 working days
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£50.00Trittico (Parts only) - James Curnow
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30
Estimated dispatch 7-9 working days
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£12.00Of Men and Mountains (Brass Band Study Score)
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
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