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  • £26.50

    The Gliding Slide - Greenwood, JA

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    The Jester - Greenwood, JA

    In Stock: Estimated dispatch 1-3 working days

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  • £13.00

    The Tyrolienne - Sutton, E

    Includes a full band set (no score)

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    The Brigadier - Sutton, E

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    The Cavalier - Sutton, E - Rimmer, D

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    The Connoisseur - Sutton, E

    In Stock: Estimated dispatch 1-3 working days

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  • £26.50

    Rocked in the Cradle - Martin, B

    In Stock: Estimated dispatch 1-3 working days
  • £26.50

    The Imp - Stephens, D

    In Stock: Estimated dispatch 1-3 working days

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  • £102.60

    General Jackson's Schottische - John Wright Tidswell

    The piece was written by John Wright Tidswell and performed during Enderby Jackson's series of brass band events which took place at the Crystal Palace, London 1860 - 1863. Enderby Jackson was the organiser of these historically important occasions and also conducted the massed band concerts.The purpose of this scholarly edition is to produce a performing version, clearing ambiguities and errors, that can be enjoyed by today's performers and listeners, bearing in mind the original function and context. At the same time the edition is an analytical, musicological study of one of the rare treasures of the brass band repertory.

    Estimated dispatch 5-14 working days

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  • £37.95

    Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank

    Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.

    Estimated dispatch 7-14 working days

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