Results
-
£29.95John O'Gaunt (Overture) (Brass Band - Score only) - Vinter, Gilbert
Concert Overture for Brass BandIn the year 1340 in the town of Ghent, a son was born to Edward III King of England and his Queen Phillipa. The boy, afterwards known as John O'Gaunt (Ghent) grew up to be a warrior and before he was 20 he was fighting in France beside his brother, the Black Prince. For many years he was occupied with the wars in France and Spain and was seldom in England. His first two marriages brought him great riches and position, but the love of his life was Catherine Swynford, who bore him four children. Whilst he was away , his Palace of Savoy was burnt to the ground by the mob during the Peasant's Revolt. Finally in 1394 he returned home and married Catherine, for whom he felt a strong affection since her first marriage in St. Clement Danes Church in the Strand, many years before. The Beaufort children were thus legitimised and from them sprang a long line of English Kings and Queens.Duration: 9:30Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£30.00Home Coming - Jock McKenzie
This was written with the intention of creating a 'feel good' piece with a particular emphasis on chilling out; music for a late summer evening after the barbecue embers have finally stopped glowing. The piece is unashamedly influenced by the slower, lazy-tempo numbers of the South African greats Hugh Masekela and Abdullah Ibrahim.
-
£27.99Love Theme From Cello Concerto No. 1 - Cornet Solo Joseph Knight
This concerto was written by Joseph Knight in 1998 during his last year at the University of Huddersfield. This theme is the Love theme. The whole piece is a tone poem based around the fictional life of a Russian composer who goes through many trials at the hand of Soviet authorities and is finally released when the wall comes down. This theme is the one that depicts his wife and her sad story. The cello in the original represents the composer while the other instruments interact as the events. This arrangement is from one of the other themes and is therefore higher and suites a cornet very well.
Estimated dispatch 5-9 working days
-
£45.00Bathgate Hills Trilogy - Andrew Duncan
Composed by Andrew Duncan and written for the West Lothian Schools Band, A Bathgate Hills Trilogy is in three movements, each one dedicated to and representing a different hill.Comments from the composer:Movement 1 - Dechmont LawThe first movement describes the peculiar events which took place in November 1979 when a forestry worker, Bob Taylor, had a close encounter with an alien spacecraft in Dechmont Woods at the bottom of Dechmont Hill. Bob Taylor's account from the time describes a large sphere like object about twenty feet across which pulled him by the legs towards it, caustic smoke then caused him to pass out. He awoke a short time later in the same spot but the spaceship had gone leaving behind marks in the soil. His story caused a great deal of media interest and a great deal of excitement in the local community.Movement 2 - The Knock HillThe Term 'Knock' is Scottish Gaelic for 'hill' and the Knock Hill is the highest peak in the Bathgate Hills being 305 metres above Sea Level. On a clear day the Knock hill has excellent views of the Bass Rock to the East and the distant hills of Arran to the West as well as of the whole of West Lothian and across the Firth of Forth to Fife and beyond to the North.The second movement is a description of a leisurely walk to the summit of this hill and the enjoyment of a pleasant summer's day spent walking and taking in the beautiful panoramic views. However, as is the case with the Scottish Summer, a change in the weather finds a clear blue sky being replaced with dark rain clouds. The changed weather brings a sudden brief but unwelcome cold downpour of rain, drenching anyone out walking! Finally, the clouds pass and the more pleasant summer weather returns.Movement 3 - Cairnpapple HillCairnpapple Hill is a near neighbour of the Knock Hill. It is almost as high but interest in Cairnpapple Hill lies in the outstanding archaeological monument near the summit, an Iron Age burial chamber. The chamber dates back to 25 years BC and was built by a mysterious people known as the Beaker People (so called because they left behind a number of large earthenware beakers). The mysteries of Cairnpapple Hill have always been a source of fascination for me ever since first visiting the hill as a school child.The third movement describes the lives of the Beaker People. The landscape they would have looked out on would have been mostly dense forest which would have contained many perils including dangerous wolves and bears. Life was harsh and short for the Beaker People and they would always have been close to danger and to death. The average life expectancy for the Beaker People was only 31 years of age. The summit of the hill would have been clear of forest and would have afforded the Beaker People some protection as they could see all around the near countryside enabling them to keep a watchful lookout for their enemies - both animal and human!
In Stock: Estimated dispatch 3-5 working days
-
£35.00Cranborne Chase - Philip Harper
Cranborne Chase was commissioned by the Charles Church Camberley Band in 2011 in memory of solo horn player and life-long member Libby Godden.Libby joined the band in 1966 which marked the start of a long association, during which she progressed to the solo horn position, recruited four family members to play with the band, and had spells on the committee as publicity officer and chairman. Most recently she led the Training Ensemble in her role as Assistant Bandmaster. Libby continued to be active with the band despite a diagnosis of cancer, which finally claimed her life in February 2011.Programme notes from the composer, Philip Harper:The Music: As well as invoking the joyous spirit befitting Libby's approach to life, there are several musical ideas woven into the score. After a brief introduction, the main theme uses the musical letters of Libby's surname: G, O(A), D, D, E, N(G), whilst the harmonic progression here is based on that of the slow movement of Edward Gregson's Partita for Brass Band, one of Libby's favourite passages of music.To further imbue the piece with Libby's persona, the lyrical theme is first introduced as a traditional brass band quartet (two cornets, horn and euphonium), one of her favourite musical genres.After the first rehearsal of the piece the band members, with the composer's blessing, decided on the name Cranborne Chase, which is the name of a place in Dorset with which Libby Godden had a great affinity.Raising Funds for Cancer Research UK. The Music Company (UK) Ltd has been involved in charitable work for many years both nationally and internationally. Through publishing Cranborne Chase, The Music Company is extending its charitable support by helping to raise funds for the Cancer Research UK charity, in memory of Libby Godden (a band-friend since childhood of Clair Tomalin, Business Director of The Music Company (UK) Ltd).A donation will therefore be made by The Music Company (UK) Ltd for every purchased set of this piece. There is a hope that every band in the UK will have Cranborne Chase as part of their library and included in their concert programmes, enabling a significant amount of money to be raised for Cancer Research UK through the enjoyment of music.
In Stock: Estimated dispatch 3-5 working days
-
£30.00Exegesis - Tim Paton
An exciting, original composition for brass band by Tim Paton. A complex work which entwines melodic lyricism amidst contemporary harmonies and scoring. A tour de force of Tim's creativity and a rewarding challenge for the performers and audience.Tim comments: The term exegesis is applied to a study which works out the meaning of something, an interpretation of a series of events, a comparison of ideas within a given medium, for example, "Biblical exegesis". This brass band piece is a musical exegesis.Section one is made up of three main themes, and although these themes are tonal within themselves, there is a sense that they are trying to understand one another. From the very beginning of this section, there is an element of bi-tonality and dissonance.The middle section is ponderous, where we hear elements of these three themes. It could be called the 'thinking section'.Section three almost interrupts this middle section, with fanfares displaying a realisation, still containing bi-tonality, but in harmony! We are soon led in to a hymn like celebration, followed by a determined, militaristic section for the percussion. Finally, the fanfares which opened this third section, reappear, taking us to a final conclusion.
In Stock: Estimated dispatch 3-5 working days
-
£25.95Hymn for Africa - Peter Meechan
Part of the Brass Band Aid SeriesBrass Band Aid is a Charitable Organisation formed by members of Stanhope Silver Band, based in the North of England. From an original aim to raise awareness of the Make Poverty History campaign in their local area, a brass band CD recording was planned. The initiative took on a whole new dimension when the collection of local bands performing on CD were then joined by, what is now known as, The Brass Band Aid Celebrity Band, made up of many of the top brass musicians in the country.Following the success of this initial project the Celebrity Band has come together again to record a new CD - "Into Africa". This is a compilation of pieces especially written for the recording by some of the most esteemed brass band writers of today. 'Hymn for Africa' is one such piece, generously contributed by Peter Meechan in support of the ongoing work of the charity."Hymn for Africa is inspired by the the release of Nelson Mandela in the early 1990's and the effect it had upon not only South Africa, but all over the continent of Africa, as well as the World as a whole. The fact that one man can achieve this with peace and great dignity will always be an inspiration, not only to me, but many, many millions of humans around the globe.sense of dignity and peace the composer . A simple 8 bar melody, first heard on an unaccompanied flugel horn at the beginning, is the basis of the composition. A drone is then added, before a chorale, and finally a rousing climax when the percussion and full band enter. The piece ends at it began, with a peaceful, unaccompanied, flugel solo." (Peter Meechan).All sets sold raise money for Brass Band Aid - a charity The Music Company has continued to actively support since 25.
In Stock: Estimated dispatch 3-5 working days
-
£75.99Stratosphere - Otto M. Schwarz
What do the American Joseph Kittinger and the Austrian Felix Baumgartner have in common? They both jumped from over 3km high with a parachute. While Kittinger's attempt on 16 August 196 was from a height of 'only' 31,333 meters, Felix Baumgartner broke this record on 14 October 212 with a breath-taking 38,969 meters. This composition Stratosphere describes the adventure, from climbing into the capsule with help of a balloon, to the short pause in the stratosphere, and the jump, the turbulence during the free-fall descent, and finally the opening of the parachute and the safe landing.
Estimated dispatch 5-14 working days
-
£47.50I Just Can't Wait To Be King - Elton John
The showstopper 'I Just Can't Wait To Be King' from The Lion King is still relevant after almost thirty years, especially now that British Prince Charles, following seven decades of waiting, was finally crowned King Charles III in 2023. All in all, this was reason enough for Philip Harper to write a dazzling brass band arrangement of this song that is perfectly suitable as a concert encore.
Estimated dispatch 5-14 working days
-
£61.00Lord of the Flies - Gauthier Dupertuis
The title of this work by Gauthier Dupertuis refers to the novel Lord of the Flies by William Golding, published in 1954. Lord of the Flies is intended to be a small symphonic poem describing different episodes of the book: the despair of the children stranded on the island, the use of the unifying conch and symbol of democracy, the adventures, and the formation of the camp and finally the savagery of the clan of Jack which undeniably leads to chaos. The finale is mysterious and half-tone, imbued with both the relief of having been rescued, and a deep sadness linked to the tragic events that have occurred on the island.All the main themes and elements developed in the work come from the idea "d-e-f", exposed from the first bars. The orchestration is intended to be variable in geometry and avoids the main technical difficulties related to the instruments. However, the composer wanted to find as many colors as possible and avoided confining himself to too "simple" harmonies.Lord of the Flies: a piece accessible to most brass bands.
Estimated dispatch 5-14 working days
View Music