Results
-
£29.95
Rhapsody in Brass (Score Only)
Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.
Estimated dispatch 7-14 working days
-
£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1359 - 1362, March 2024
1359: Festival March - Coastal Celebration (Sam Creamer)Coastal Celebration was commissioned in 2019 by Nambour Salvation Army Band for the Corps' 125th anniversary celebrations. Nambour was the birthplace of The Salvation Army's work on the Beautiful Sunshine Coast in Queensland, Australia. Firring with this theme are subtle tributes to iconic Sunshine Coast landmarks, referenced with small phrases of popular secular melodies intertwined with the main tunes What a faithful God (S.A.S.B. 378) and All through the years (S.A.S.B. 826).1360: He's always been faithful (Craig Woodland)This meditative selection is an arrangement of the song by American singer and record producer Sara, Groves, He's always been faithful. The words express the joy and thankfulness in having a relationship with Jesus and knowing his presence in life. The melody and motifs of the traditional hymn, Great is thy faithfulness (S.A.S.B. 26), are heard throughout.1361: Christ's living water (Dean Jones)Christ's sacrificial love has been beautifully portrayed through the imagery of water in many songs, none more so that the skilfully crafted words we find in the chorus of I know a fount (S.A.S.B. 197), written by Oliver Cooke. To enhance the sentiments expressed, the pure sounds derived from Handel's Water Music fit perfectly in terms of music and imagery.1362: March - Fear Not! (Avelan Ntsiete)The Salvation Army continues to proclaim its music ministry in all corners of the world and, with this item under review, we introduce a new composer, originally from Congo Brazzaville, Central Africa. Avelan Ntsiete is currently a Bandsman at the Lilas Corps in Paris but has previously served in the Congo Brazzaville Territorial Band. This march, in traditional format, was written for an evangelistic campaign in Kindamba, where civil war has brought upheaval to the area and uncertainty for the local Salvationists. The composer was part of a small brass group which travelled for over 24 hours by truck and on foot to reach Kindamba and bring encouragement to the Salvationists within that community.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 474 - 477, February 2019
474: Prelude - Tell me the old, old story (Munashe Chikwezvero)Arabella Hankey's verses (S.A.S.B. 150) were originally written in 1866 while the author was recovering from a serious illness. The music was then added by William Howard Doane in 1868. This prelude comes to us from a Salvationist composer from the Hunyani Corps in the Zimbabwe Territory.475: My Redeemer lives (Marcus Venables)This lively arrangement of My Redeemer lives (S.A.S.B. 223) was written for the North York Temple Junior Band. The music is designed to emulate the more challenging Salvation Army band pieces to which younger musicians might aspire, as well as being a joyful announcement of our Redeemer's resurrection.476: Filte (Roger Trigg)Filte (FAHL-cheh) is the Irish word for welcome. This music was written to commemorate the start of The Salvation Army's work in Ireland. It features the tune The Eden Above (T.B. 503) which is purported to be the first song performed by a Salvation Army delegation on Irish soil. The next hymn presented is King of kings, majesty (S.A.S.B. 376) which has been a significant song in the life of Belfast Citadel Corps in its more recent past. The piece closes with the confident music of the song I believe we shall win (S.A.S.B. 990).477: Chorus Arrangement - Follow, I will follow thee (Morgan Juel Stavik)This is a gentle setting of H.L. Brown's melody Follow, I will follow thee.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 530 - 533, June 2024
530: Carol Arrangement - God rest you merry, gentlemen (Noel Jones)This swing arrangement of the traditional English carol also features references to O come, all ye faithful (C.C. 61) and Jingle Bells (C.C. 121). Play with imagination and a sense of style!531: Go, tell it on the mountain! (Nathanael Watchorn)Historically, the passion of enslaved people in America for singing about the Gospel of Jesus is well documented, but it was men of three generations, each named John Wesley Work, who enabled spirituals to become more widely known. John Wesley Work Sr, a church choir director in Nashville, Tennessee, wrote and arranged music for the pioneering Fisk Jubilee Singers whose early repertoire consisted largely of spirituals. This passion and knowledge of spirituals was passed down through the generations. John Work III travelled hundreds of miles to collect songs by attending church services in remote areas. In 1940, he published a collection of 230 songs which included a setting of Go, tell it on the mountain! that is still performed today.Nathanael Watchorn, a Bandsman at Regent Hall Corps in London, is a new contributor to the journals. He originally wrote this as a vocal arrangement for the group FourHymn, subsequently transcribing it for the corps' Young People's Band, while he was Band Leader.532: Carol Arrangement - They all were looking for a king (Stephen Hull)At the North American Composers Forum, Major Len Ballantine challenged participants to find an unfamiliar song in the Salvation Army Song Book and try to write an arrangement of the listed tune. Stephen Hull happened across They all were looking for a king (S.A.S.B. 128) and the tune Childhood (T.B. 421) which lead to this arrangement.533: March - Washed and healed (Eiliv Herikstad)The Christian experience of many people will have been positively impacted by the life of the late Bandmaster Eiliv Herikstad, either personally or through his musical leadership and compositions. This march is the second publication from this well-known Salvation Army composer since his Promotion to Glory last year. This march is more traditional in style that many of his compositions but contains a strong Christian message and demonstrates his compositional expertise.
Estimated dispatch 7-14 working days
-
£29.95Unity Series Band Journal October 2013 Numbers 410 - 413
No. 410 March - Go Forth! (Paul Drury)This march was written as a tribute to Bandmaster Jack Spowart and the Bo'ness Salvation Army Band. The composer lives in the twon of Bo'ness and has had numerous opportunities to share with the band and the wider corps at various events. This march serves as recognition of the faithful service given in the Lord's name in the town by The Salvation Army for over 100 years. Two tunes are featured, both well-known and instantly recognisable, namely, Forward! be our watchword and We're marching on.No.411 (1) O give thanks (Marian Parker)The composer, Marian Parker, is a new contributor and is the Recruiting Sergeant at Leicester South Corps. This simple, yet rhythmic piece should not pose any technical problems for most bands and features the attractive arrangement of Joanne Pond's contemporary song, 'O give thanks'.No.411 (2) Hymn Tune Arrangement - St Michael (David Rowsell)The hymn tune 'St Michael' was composed in 1551 by French composer Louis Bourgeois and the composer provides a very useful arrangement of this historic hymn.No. 412 Precious Lord, take my hand (Erik Silfverberg O.F.)This well-known Gospel Song is a favourite of many. It has been recorded by many great artists, including Rosetta Tharpe, Elvis Presley and Aretha Franklin. The words were written by Reverend Thomas A. Dorsey, who is often known as the 'Father of Gospel song'.No. 413 Search Me (Gavin Whitehouse)The second new contributor to this journal is Gavin Whitehouse. gavin is the Assistant Music Director for the Greater New York Division and is also the USA Eastern Territorial Songster Leader. This piece combines two songs - one old and one new - which speak of a God who knows us intimately. 'Search me, O God and know my heart today' (associated with the beautiful Maori melody, 'Now is the hour') is woven with a contemporary setting of Psalm 139 by Rebecca St James, the first line of which says, 'You searchme, you know me'.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 526 - 529, February 2024
526: March - Summit Cross (Beat Hari)This exciting and energetic work introduces a new contributor to our journals. Beat Hari helps lead the band at Frutigen Corps, Switzerland. This march was composed with the intention of featuring it in an open-air concert beside the ski slopes. Members of the corps regularly join the band, instigating conversations with skiing guests by distributing bible verses and sweets. The composer has named this march because of the many Swiss mountains that have crosses on their summit as symbols of God's protection over the population living in the valleys below. The march follows a traditional format with a solid rhythmic construction built from the bass line.527: Christ is all (Olaf Ritman)The Salvation Army song, Christ is all (S.A.S.B. 588) is one that is cherished by the composer. The verses by Herbert Booth are both powerful and vulnerable and the melody by William A. Williams really touches the soul.528: My all to follow (David Edmonds)This piece pays tribute to all who have accepted the call to become Salvation Army officers and envoys. Such a calling involves significant change and can be difficult when leaving their comfort zone or moving away from family.529: We shall win (Alan Williams)William Hodgson's song We're a band that shall conquer the foe (S.A.S.B. 990) is one of confidence and encouragement in our daily fight against evil, sin and injustice, both in the world and in our lives. As such, this music should be full of that same confidence.
Estimated dispatch 7-14 working days
-
£34.95Judd: Stand Strong
This march was written for the North York Temple Band, Toronto, for their tour of the UK in 2012. Inspired by St Paul's words to the Ephesians to 'put on the full armour of God, so that when the day of evil comes, you may be able to stand your ground' (Ephesians 6:13 NIV), the music features three songs of warfare. The first song (S.A.S.B. 989) forms the introduction to the piece and is presented by Percussion and two muted Cornets. The image here is of a distant army approaching with banners aloft. The volume of the music increases as the army approaches:We'll shout aloud throughout the landThe praises of our God,We'll fight beneath our flag unfurled,Kept by his precious blood.
Estimated dispatch 7-14 working days
-
£60.00General Series Band Journal August 2014 Numbers 2134-2137
No. 2134 Festival March - Troops Salute (Paul Sharman)Written to mark the retirement of Major John Mott as Bandmaster of the Household Troops Band in 2010, this march features the tunes 'Are you washed?' and 'There's only one flag for me'. No. 2135 Songs of Salvation (Andrew Mackereth)This piece was written for Haaglanden Band in the Netherlands and contains some old Salvation Army Songs; 'Ring the bell, watchman' (T.B. 776), 'Make no delay' (T.B.730), 'Room for Jesus' (T.B. 395), 'Tell me the old, old story' (T.B. 265) and 'Praise God, I'm saved' (T.B. 770).No. 2136 Shepherd's Carol (Dean Jones arr. Kenneth Downie)Originally published in November 1955, this lovely carol was written by father and son, Dean and Henry Goffin, both of whom were Salvation Army officers. Commissioner Sir Dean Goffin was awarded his kinghthood in the Queen's Honours list of 1983No. 2137 On High! (Martin Cordner)Taking its inspiration from the world of rock music, this piece features the song, 'Lord, I lift your name on high'.
Estimated dispatch 7-14 working days