Results
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£65.00Tango - Gavin Higgins
Tango for Trumpet and Trombone solos with Brass Band accompaniment was written for Ian Porthouse and Brett Baker in 2008. The first performance was given by the Black Dyke Bandconducted by Nicholas Childs, at the Black Dyke Brass Arts Festival. Brass Band Grade 5: 1st Section Duration: 9 minutes
Estimated dispatch 5-14 working days
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£85.00Freaks! - Gavin Higgins
Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London.This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the samename. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters real life side show freaks . It is one of the most bizarre things to have ever come out ofHollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes:IntroductionRoll up... See theFreaksThe Amazing Cleopatra Queen of the AirGooble Gobble one of us The Wedding PartyThe Fall of CleopatraThe Freaks Take RevengeCleopatra The Duck Lady
Estimated dispatch 5-14 working days
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£45.00March Barnes Wallis - Nigel Hess
March Barnes Wallis was commissioned by Royal Air Force Music Services to commemorate the 70th anniversary of the famous Dambuster's raid and received its first performance on BBC Radio 2's Friday Night is Music Night, broadcast live from Biggin Hill Airport on 17 June 2013 by the Central Band of the RAF, Director of Music Wing Commander Duncan Stubbs.
Estimated dispatch 5-14 working days
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£89.99
Elegy and March - Torstein Aagaard-Nilsen
Commissioned by the Norwegian Band Federation and Tom Brevik. Composed in 1991. The composer:Elegy and March was one of my first original compositions (no quotations, no folk-tunes) and it was one of my earliest attempts to experiment with form. The elegy-part is quite obvious, but the march is not quite a march. If the elegy-part tells a sad story, then the march should tell a happy story. My problem is that I don?t think life is like that. Result: the march collapses! De liefhebbers van de muziek van de Scandinavier Aagaard-Nilsen kunnen hun hart ophalen bij dit bijzondere werk. In de tweedelige compositie zijn de delen thematisch aan elkaarverwant. De Elegy is een verstild werkje met prachtige klankvelden. Alle instrumenten komen aan bod maar nooit tegelijk. Hoe anders is dat in de mars waarbij ragfijn orkestspel wordt gevraagd. De componist: Elegy and March was een van mijn eerste originele werken (geen citaten, geen volksliedjes) en het was een van mijn eerste pogingen om te experimenteren met vorm. De elegie deel is vrij duidelijk, maar de mars is niet helemaal een mars. Als het elegie-deel een triest verhaal vertelt, dan zou de mars een gelukkig verhaal moeten vertellen. Mijn idee is dat dat in het echte leven ook niet zo is. Resultaat: de mars stort totaal in!Weer iets totaal anders van de Noorse meester!
Estimated dispatch 5-14 working days
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£109.99Suite Celebration - Bruce Fraser
Bruce Fraser composed this test piece for the 'Gouden Spiker Festival' 2003 (The Netherlands). Suite Celebration was inspired by events in his recent family life. The first movement celebrates the marriage of his daughter and reflects her bubbly personality and vitality. The melodies and harmonies of the whole work are based on a note row which came up during a discussion with the publisher. The second movement celebrates the birth of his grand-daughter 'Rebecca Aileen' and takes the form of a ballad featuring expressive opportunities for the soloists. The final movement is more of a look into the future and hope of success and a good life for hisfamily. Who knows what is coming?
Estimated dispatch 5-14 working days
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£60.99A Summer Holiday - Patrick Millstone
In 'A Summer Holiday' Patrick Millstone takes us with him on a journey. After a year's hard work we may finally enjoy a well-earned holiday. The first part of this three-part composition has the appropriate title 'On Tour'. When we chose our holiday destination, the brochure said that it would be bathed in sunlight every day. Unfortunately, this turns out not to be the case. Somewhat melancholically, we play round games in our summer house on a 'Rainy Day'. However, the next day, when the sun again has driven away all the clouds, we naturally visit the 'Crowded Beach', where we enjoy both sun, sea and beach once again.
Estimated dispatch 5-14 working days
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£54.99Who's next? - David Well
Who begins? Who follows? In 'Who's next?' the orchestra is divided up into two parts a number of times. The division seems random, but on close scrutiny it becomes clear at the end that sides are clearly taken, also in playing the melody, first one section and then .... who'll be next? 'Who's next?' is solid Rock, no nonsense, going straight ahead.
Estimated dispatch 5-14 working days
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£76.99On the Movieset - John Emerson Blackstone
Glitter and glamour, good-looking people, a lot of Bling Bling and fast cars images like these will cross our minds when we think of the movie world. However, reality proves to be different : as a rule, a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making, and he incorporated them into 'On the Movie Set' . In the first part, 'The Clapboard', a 'director's assistant' is supposed to shout "Quieton the set'" and "Action!", as is done before a real scene is shot. Subsequently, in order to create the right atmosphere, the clacking of a 'Clapboard' should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background, so romantic music is of course heard in the next part, 'Love Scene'. At the end of a long working day 'It's a wrap' is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of 'On the Movie Set'. A red carpet and a glamorous reception should give your audience the feeling they are attending a real 'opening night'!
Estimated dispatch 5-14 working days
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£76.99
Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michaelskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 5-14 working days
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£65.40Interlude - Andrew Pearce
As a young man, Andrew Pearce had fond memories of playing Cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.
Estimated dispatch 5-14 working days
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