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£68.52
Temperamental (Brass Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/zpNxITUqXZU Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£65.00
A Hebridean Suite - Andrew Duncan
A colourful and light-hearted musical journey through the evocative Scottish islands, Andrew Duncan's A Hebridean Suite is in four concise movements: Stornaway, The Old Shepherdess and the Norse Maiden's Spirit, Mouth Music and Ceilidh-Rondo. It is suitable both as a concert suite for more advanced adult and youth bands and has also been used as a test piece in the First Section at the 2010 Butlins Mineworkers Open Championship.Brass Band Grade 5: 1st SectionDuration: 11 minutes
In Stock: Estimated dispatch 1-3 working days
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£44.95
VICTOR, The (Brass Band Set) - Kenneth Downie
Written for the Melbourne Staff Band, this march features the hymn tune, 'Millennium'. While the origins of the tune are unclear, it has a distinct character; from the opening rising fourth interval through to its conclusion, it embodies strength and vigour. The composer has hinted at the style brilliantly employed by the great Australian march writer, Arthur Gullidge, by opting for a minor key in the first section offset by a melodious trio section in a major key.
Estimated dispatch 7-14 working days
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£44.95
The Victor (Brass Band - Score and Parts) - Downie, Kenneth
Written for the Melbourne Staff Band, this march features the hymn tune, 'Millennium'. While the origins of the tune are unclear, it has a distinct character; from the opening rising fourth interval through to its conclusion, it embodies strength and vigour. The composer has hinted at the style brilliantly employed by the great Australian march writer, Arthur Gullidge, by opting for a minor key in the first section offset by a melodious trio section in a major key.
Estimated dispatch 7-14 working days
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£22.50
The Victor (Brass Band - Score only) - Downie, Kenneth
Written for the Melbourne Staff Band, this march features the hymn tune, 'Millennium'. While the origins of the tune are unclear, it has a distinct character; from the opening rising fourth interval through to its conclusion, it embodies strength and vigour. The composer has hinted at the style brilliantly employed by the great Australian march writer, Arthur Gullidge, by opting for a minor key in the first section offset by a melodious trio section in a major key.
Estimated dispatch 7-14 working days
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£82.95
VIVAT! (Brass Band - Score and Parts) - Davoren, Tom
2012 National Championships Finals - First Section. Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections and the music is derived from Parry's coronation anthem, I Was Glad. The sections are: In Memorium, evoking the noble but gentle personality of the Queen's father, George VI; Coronation, a fanfare and subsequent theme capturing the spirit and excitement of British pomp; and Jubilate, a celebration of life and family values.
Estimated dispatch 7-14 working days
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£44.95
VIVAT! (Brass Band - Score only) - Davoren, Tom
2012 National Championships Finals - First Section. Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections and the music is derived from Parry's coronation anthem, I Was Glad. The sections are: In Memorium, evoking the noble but gentle personality of the Queen's father, George VI; Coronation, a fanfare and subsequent theme capturing the spirit and excitement of British pomp; and Jubilate, a celebration of life and family values.
Estimated dispatch 7-14 working days
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£105.00
King Arthur - Benjamin Britten
King Arthur was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, partcantata - written by D.G. Bridson. This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vividbattle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same sourcein1995. King Arthur (scenes from a radio drama) will be played by the 20 First Section finalists on 16th September 2018 at this year's National Brass Band Championships of Great Britain.
Estimated dispatch 5-14 working days
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£35.00
Trumpet Shall Sound, The - G. F, Handel arr. Phillip Littlemore
Along with the Hallelujah Chorus, the bass aria (and mini trumpet concerto) The Trumpet Shall Sound is one of the most recognisable movements from Handel's Messiah, which was composed in 1741 and received it's premiere in Dublin a year later. Written in three parts, the The Trumpet Shall Sound appears in the middle of the third and final part.The aria is rarely performed 'live' with the full repeat, as it is a particularly taxing part for the trumpet player. However, in this arrangement, the extended middle section is intact and can therefore be played at the trumpet soloists discretion!Duration: 10'30" (4'20" playing the first section only)Difficulty: Suitable for all (band accompaniment)Also available from Messiah:Hallelujah ChorusAnd The Glory, The Glory of the Lord
Estimated dispatch 5-7 working days
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£34.95
Judd: My Hope - Roger Trigg
'My Hope' was written for, and premiered by Enfield Citadel Band (Bandmaster Jonathan Corry) on 11th October, 2013. The work formed part of the band's annual pre-contest festival on the eve of the National Brass Band Championships which are held in the august surroundings of the Royal Albert Hall, London each year. The words 'my hope' appear in both hymns that are referenced in the music. The notes 'E', 'C', 'B' also feature throughout the work as homage to Enfield Citadel Band. The verse of 'My hope is built on nothing less' (S.A.S.B. 662), to the tune 'Solid Rock' (T.B. 446), is then introduced and forms the basis of the end of the first section - set in the minor, unlike the usual setting of the melody. The more sedate middle section that follows features an original theme, again using the notes 'E', 'C', 'B' as a melodic stimulus.The tune 'Michael' (Herbert Howells), to which the text 'All my hope on God is founded' (S.A.S.B. 530) is sung, provided the original impetus for this work. The song features as a new addition to The Salvation Army's 2015 iteration of its song book. It is a noble tune and there are big majestic, organ-like sounds utilised in its final treatment which brings the work to a climactic end.
Estimated dispatch 7-14 working days