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£35.00Trumpet Shall Sound, The - G. F, Handel arr. Phillip Littlemore
Along with the Hallelujah Chorus, the bass aria (and mini trumpet concerto) The Trumpet Shall Sound is one of the most recognisable movements from Handel's Messiah, which was composed in 1741 and received it's premiere in Dublin a year later. Written in three parts, the The Trumpet Shall Sound appears in the middle of the third and final part.The aria is rarely performed 'live' with the full repeat, as it is a particularly taxing part for the trumpet player. However, in this arrangement, the extended middle section is intact and can therefore be played at the trumpet soloists discretion!Duration: 10'30" (4'20" playing the first section only)Difficulty: Suitable for all (band accompaniment)Also available from Messiah:Hallelujah ChorusAnd The Glory, The Glory of the Lord
Estimated dispatch 5-7 working days
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£54.99Slavonic Rock March
According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: 'I will be a great composer within 10 years time.'
Estimated dispatch 5-14 working days
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£29.95Ballet for Band (Score Only)
Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz's first work for the medium: his fine "Concerto for Euphonium and Band" is frequently played, and he has also written a cantata entitled "Samson" for choir and band.
Estimated dispatch 7-14 working days
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£94.00Montage (Brass Band - Score and Parts)
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.
Estimated dispatch 7-14 working days
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£81.80I hop med Grieg - Marsj - Fredrick Schjelderup
Onwards with Grieg is a festive march commissioned by the Norwegian concert band, Skjold Nesttun Janitsjar, for their 115th anniversary in 2019.The famous Norwegian composer, Edvard Grieg (1843-1907), wanted a local band in his area and donated money for instruments so the band could establish in 1904.The march quotes some of Grieg's most famous works: Piano Concerto in A-minor, Triumphal March as well as his own signature interval.
Estimated dispatch 5-14 working days
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£88.00Winter from the Four Season (Trombone Solo)
In 1723 Antonio Vivaldi (1678 - 1741) composed four concerti for violin and small orchestra entitled The Four Seasons. Winter is the fourth of these. Each concerto is comprised of three movements and paints sound pictures of the particular season. In this one we hear music describing harsh winter winds and icy snows, enough to make teeth chatter, in the first movement, a cosy scene by the fireside watching the falling rain (second movement) and the harsh winds, ice and snow return in movement 3.This arrangement was prepared at the request of Brett Baker and has been recorded by him accompanied by Brass Band Of The Western Reserve, musical director Dr Keith M Wilkinson, on the CD Slides Rule!
Estimated dispatch 7-14 working days
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£49.95Andante and Rondo - and Robert Childs
Capuzzi was an Italian violinist and composer who worked in Venice in the 1780s. His Concerto for Double Bass is charming and sports simple lines, crisp rhythms, and elegance of form. As a result, it is a great favourite. An ideal addition to recital and exam programmes, the present version of the second and third movements is perfect for young players and professionals alike, and lls a substantial hole in the euphonium repertoire of eighteenth century classics.
Estimated dispatch 7-9 working days
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£40.00Euphonium Music (Score only) - Brian Bowen
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes An orchestral version is available on hire.
Estimated dispatch 7-9 working days
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£50.00Euphonium Music (Parts only) - Brian Bowen
Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes An orchestral version is available on hire.
Estimated dispatch 7-9 working days
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£54.20Troldtog (March of the Trolls) (Brass Band - Score and Parts) - Grieg, Edvard - Smith, Sandy
Edvard Grieg (1843--1907) is best known for his eternally popular Piano Concerto in A Minor, as well as more than 150 songs and 66 lyric pieces. March of the Trolls is from his Lyric Pieces, Op. 54. Trolls are a constant theme in Norwegian folklore and can be viewed as the equivalent of our "boogie man." Far to the north in Norway where the winter storms whip the weather-beaten coasts, you will find dark forests with moonlit lakes, deep fjords surrounded by mighty snowcapped mountains, and long rivers and cold streams cascading down the mountain sides. This is where you might find the irritable, short-tempered trolls coming out of their hiding places after sunset, marching to wreck havoc on unsuspecting Norwegian households. Wait and see what your audience will do when the Trolls march up and down the aisles of your next concert!
Estimated dispatch 7-14 working days
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