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  • £24.50

    Nimrod 'From Enigma Variations' - Elgar - Gavin Somerset

    The 'Enigma Variations' by Elgar are musical portraits of his friends and family. The best of these 14 variations is by far, number 9 entitled 'Nimrod'. The variation has become a piece in its own right and is common at funerals and other solemn occasions. Remembrance Day in particular would not be complete without hearing the work and is always performed at the Cenotaph in London on this day. Now, this arrangement by Gavin Somerset remains faithful to the original and with careful scoring throughout, it allows bands of most standards to play this gorgeous piece and still obtain those hair raising moments the audiences have come to expect. A must for every bands library.

    In Stock: Estimated dispatch 1-3 working days

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  • £24.50

    Swanee River - Stephen Foster - Alan Beaumont

    The song "Old Folks At Home" over the years has become better known by the lyrics of its first line (Way Down Upon The) Swanee River. The composer Stephen Foster (also known for songs such as "Oh! Suzanna" & "Jeanie With The Light Brown Hair") struggled to find the perfect river to fit his melody, until his brother suggested the "Suwannee" river in Southern Georgia/Northern Florida, although, Foster misspelled the name intentionally to fit the melody line. The song has been the official state song of Florida since 1935. This rousing arrangement by Alan Beaumont will take your audience on a foot tapping, lighthearted journey. With the melody featured in a variety of different styles, the comedy sounds of duck calls, car horns, sirens & other surprises will keep the audience (& players) on their toes. A wonderful addition to any bands library, not to be missed.

    In Stock: Estimated dispatch 1-3 working days

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  • £37.50

    Willy Wonka (Selections From) - Leslie Bricusse & Anthony Newman - Gavin Somerset

    Few people have not seen the 1971 film starring Gene Wilder as the eccentric chocolatier, offering tours of his chocolate factory to those lucky enough to find the hidden golden ticket. Whilst initialy a box office failure, the film went on to become a favourite in households across the world, years after its initial release. Now for the first time, your band can enjoy the music from the film in this selection that includes 'Golden Ticket', 'The Candy Man' and of course, the unforgettable 'Pure Imagination'. The music of Leslie Bricusse & Anthony Newley has been a hit for many years and continues to make TV and radio appearances. 'The Candy Man' was perhaps best known when covered by Sammy Davis Jr where it made it to number one in the USA. 'Pure Imagination' has been used countless times in adverts in the media and more recently, recorded by Jamie Callum for his album 'Momentum'. 'Pure Imagination' can also be performed as a stand-alone item. This is truly an all-time classic filled with a feast of musical variety that fits well into just about any concert. A must for all band libraries. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40

    Estimated dispatch 7-14 working days

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  • £40.00

    Finale from Symphony No. 1 - Sergei Rachmaninov arr. Phillip Littlemore

    Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage!Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory.The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent.Duration: 5'40"Difficulty: 2nd Section and above

    Estimated dispatch 5-7 working days
  • £39.58

    March - The Stewards (Brass Band) Dave Collins

    This rousing march by Dave Collins is a dedication to the remarkable group of volunteers - the unsung heroes - who, each year, organise and run the iconic Whit Friday brass band contests. They ensure that the heritage and tradition of this uniquely special event is not lost, preserving its ongoing and continued success. BrookWright is offering a 25% discount for bands who perform this march at the Whit Friday Contest. To claim the discount, please send a scan or photo of your band's adjudication card after the event to [email protected] Whit Friday, 'The Greatest Free Show on Earth', is synonymous with the brass band tradition. Its importance in the annual calendar to the players, supporters and spectators is vital to the Tameside and Saddleworth community. However, this mighty contest simply could not take place without the willing volunteers who dedicate their services year after year to keep this unique banding tradition going.Traditionally, on Whit Friday Morning, Hail! Smiling Morn (Roud #1346), also known as Praise Ye the Lord, is heard across the Saddleworth villages. This is where I have taken my inspiration, and the entire march is built upon quotes and references of this joyous work.The Stewards has many traditional elements drawing on the vast repertory of well-known marches, as well as some untraditional techniques and harmonies. The work aims to be a good test for the bands in its performance, but also fun and entertaining for the players and audiences alike - featuring a cheeky cornet solo, thunderous bass feature, and lyrical euphonium melodies, before concluding with a triumphant quote from the original source material.To you all who perform or hear this work, the stewards of the brass band tradition, HAIL! To view a follow-the-score video featuring Tredegar Town Band performing the work please visit www.youtube.com/watch?v=-CNgqvc534s PDF download includes score and parts, and comes in both A4 size and A5 landscape parts for marching purposes. A single page A5 conductor reduced score is also included. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Cymbals Side Drum Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £59.95

    The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £29.95

    The Plantagenets (Brass Band - Score only) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £43.54

    Saltarello from 'Italian Symphony' (Brass Band) Mendelssohn arr. Phil Lawrence

    This tour de force will be ideal for bands looking for a barnstorming finale to their concert. The 'Italian' was really Mendelssohn's 3rd Symphony at the time it was completed in 1833. The 'Italian' is certainly a youthful work, not in its technique, since it shows a perfect mastery of symphonic composition, but in its spirit. He had begun it two years earlier on a visit to Italy, where the vivid sights and sounds had impressed him immensely, just as the visit to Scotland had the year before. The atmosphere of Italy impelled him to translate his impressions into another symphony. The dazzling finale, the Saltarello, conjures up a picture of Italian peasants dancing frantically in a wild and whirling fashion, not unlike the tarantella. The arranger writes: 'It was noted by some players of the day that the orchestral parts were somewhat virtuosic for the time, and this virtuosic style inspired me to arrange this for brass band.' To view a follow-the-score video of the work featuring the Fairey Band please visit https://www.youtube.com/watch?v=BvcuwwJQrR8 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani

    In Stock: Estimated dispatch 1-3 working days
  • £44.95

    Life Divine (Brass Band - Score and Parts) - Jenkins, Cyril

    Programme Notes:Certain phases of Life are common to most if not all men and the music of the Tone Poem carries the listener through four of such phases.a) In the Andante Molto Maestoso a man's outlook on Life as a thing of seriousness and dignity is shown.b) The Allegro Vivace which follow shows him facing its problems with a spirit of vigorous optimism, while two tributary themes suggest that Life, with all its seriousness, is not devoid of humour and happiness.c) The short section which follows, Maestoso, is a reminder that times of stress and trouble are inevitable but these are quickly dispelled by thed) Andante Nobilemente, portraying the helping and ennobling power of true love.The music again proceeds to review these four phases of Life, the concluding section showing Love triumphant over all.

    Estimated dispatch 7-14 working days