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  • £30.00

    Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore

    Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £55.00

    Second Suite in F - Gustav Holst arr. Phillip Littlemore

    Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above

    Estimated dispatch 5-7 working days
  • £39.95

    Liberty Trail (Brass Band - Score and Parts) - Bulla, Stephen

    The Melbourne Staff Band celebrated its 125th anniversary in 2015 and this work was commissioned by Staff Bandmaster Ken Waterworth to feature in their programmes throughout the year.The music opens with fiery rhythmic figures, drawing on the band's technical brilliance. As the music progresses there are hits of traditional marches from early years, both in form and the minor key harmony used.The Trio section features The Homeward Trail, a song from the pen of Colonel Arthur Arnott, a Salvation Army officer who spent the majority of his career serving in Australia. The tune is then developed thematically and, following an interlude and key change, receives another treatment filled with fanfare and flourish that leads into the concluding moments of the work.Just prior to the closing bars, the music pays a brief homage to Australian composer Arthur Gullidge with a quote from his classic march Liberty, published in 1948, as a final salute to the great music that has come from this country.

    Estimated dispatch 7-14 working days

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  • £53.50

    Hypernikon (Brass Band - Score and Parts) - Van der Roost, Jan

    The Greek word hypernikon roughly translates as More Than Conquerors, the motto of Gordon College in Wenham, Massachusetts, the commissioner of this piece. The work is inspired by David Rox's very own name, the first two letters of his name, D and A, sets the first theme is in D major, with these notes being the tonic and dominant of the scale. After the stately intrada, the tempo accelerates and the festive feel of the march emerges. The trio melody serves as a beautiful contrast before finally ending with the opening theme in a grand tutti.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £29.95

    Christmas Presence (Brass Band - Score and Parts) - Sharman, Paul

    Written for Birmingham Citadel Band to play at their annual carol concert at Symphony Hall, Birmingham, this piece tells the story of the Nativity using the carols Who is He? and Calypso Carol. Brief appearances are made by the shepherds (While Shepherds Watched), the angels (Ding Dong! Merrily on High) and the wise men (The Kings' March and We Three Kings of Orient are). The music finishes with a majestic setting of the chorus of Who is He?, reminding us of baby Jesus.

    Estimated dispatch 7-14 working days

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  • £104.99

    Purcellian Fantasia (Brass Band - Score and Parts) - De Haan, Jan

    This composition is based on the march from Henry Purcell's Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme; these movements not only elaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own; however, the composer often refers back to fragments of the theme. This work was test piece in the 4th division of the Dutch National Brass Band Championships (NBK) in 2017. Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £88.00

    Fanfares, Marches, Hymns and Finale (Brass Band - Score and Parts) - Broughton, Bruce

    "Fanfares, Marches, Hymns and Finale" is a series of self-referential movements, each composed around an attitude expressed in the title rather than for any actual utilitarian use. Hence, it would be difficult to march to most of "Marches", although it is composed of martial rhythms and associative figures. One could, however, sing the pentatonic (five note) main theme from "Hymns", which is composed in an American folk-hymn style and set in an Atmosphere evocative of meditation and reflection, although there is no text associated with the themes. "Fanfares" is based upon an opening six-note motif first heard in unison. It precedes and announces the following three movements. As the plural aspect of the title indicates, "fanfares" open and close the movement itself. Needless to say, the spirited "Finale" brings the piece to a close. Duration: 11.00. Suitable for Championship Section Bands.

    Estimated dispatch 7-14 working days
  • £23.95

    SAR Force (Brass Band - Score and Parts) - Wiffin, Rob

    This traditional march is dedicated to the audacious courage of the Search and Rescue Services of both the Royal Navy and the Royal Air Force. It was commissioned by the SAR Force with the mandate of writing something that was descriptive of its working life and incorporates the J B Dykes hymn tune Melita which is associated with the words 'Eternal Father, Strong to Save (For those in peril on the sea)'.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £38.00

    Icebreaker (Brass Band - Score and Parts) - Harrold, Tom

    Icebreaker was originally written for Superbrass in March 2012 and recorded in it's original brass dectet and percussion form on their "Brass Taps" CD. The work begins with tumultuous fanfare, shrouded by thick chords in the lower brass. This fanfare-like material leads to a biting statement from the trombones. An 'icy' gritty section, once again played by the trombones grows in energy, punctuated by the return of the fanfares. The horns, providing a little respite, emerge in a quiet restrained line, which is coloured by the rest of the ensemble. Before fully coming to fruition, the horn line is quickly cut-short and subsumed by the sudden return of the energetic material from the other instruments, which grows to the end of the piece. Duration: 4.30. Suitable for Championship Section Bands.

    Estimated dispatch 7-14 working days
  • £115.00

    Sinfonietta No.1 (Brass Band - Score and Parts) - De Meij, Johan

    Sinfonietta No.1, written for brass band, was commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. Unlike most of Johan de Meij's compositions, Sinfonietta No.1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures, an upward fifth jump, returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.Duration: 15.00

    Estimated dispatch 7-14 working days