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£59.99
She's Like the Swallow - Traditional
This arrangement of the traditional melody features the tenor horn as a soloist. The haunting slow melody is ideally suited for the wonderful tone of this much under used solo instrument.
Estimated dispatch 5-14 working days
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£68.99O Holy Night (Julesang) - Adolphe Charles Adam
Originally, this very famous song by Adolphe Adam, was arranged for brass band and B-flat instrument. Yet it is perfectly possible to feature a vocal soloist. The text is therefore included. This work is suitable as a slow interlude in your program.
Estimated dispatch 5-14 working days
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£109.99Fantasy for Brassband and Organ - Jan Bosveld
When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ".
Estimated dispatch 5-14 working days
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£110.99The Four Noble Truths - Philip Sparke
The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha, which describes times of major stress in our lives - birth, aging, desire and death; Samudaya which describes those parts of our life that induce stress, feeling, craving, desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight didciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions, that the Four Noble Truths fall into two pairs, the first two describingthe origins of stress and the second two describing how we can reduce stress. To reflect this, the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer.
Estimated dispatch 5-14 working days
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£118.99Sinfonietta no. 1 - Johan de Meij
Sinfonietta No. 1, written for brass band, was commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. Unlike most of Johan de Meij's compositions, Sinfonietta No. 1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures - an upward fifth jump - returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme,interspersed with quotes from the second movement, and ending with the opening theme of movement I.
Estimated dispatch 5-14 working days
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£54.99
Inter-Pop - Kees Vlak
Five movements in techno-pop style. The work begins with Rock March with a few pithy chords over a driving percussion accompaniment. Feeling Free is a slow ballad. Rockarab is devoted to 'the ship of the desert', the camel. Little Chi Yan is a very charming, romantic song for a sweet little girl. In Disco Lights, we hear the stirring sounds of drums and bass guitar while the lights flash in the crowded discotheque.
Estimated dispatch 5-14 working days
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£44.95Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£87.95
Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£99.99Compostela (Brass Band - Score and Parts) - Deleruyelle, Thierry
The Way of St. JamesFour roads lead to Santiago, so begins the Book of the Pilgrim. Written in the 12th century, the Codex Calixtinus opened the way for pilgrimage from most cities in Europe and North Africa to Santiago de Compostela, in Spain. Compostela - The Way of St James describes the pilgrims' journey. After a slow introduction, a brilliant theme announces the start of the journey. The arrival in Spain is indicated by incantatory chants and majestic chords. Finally, the music softens as the pilgrims venerate St James.Duration: 11.00
Estimated dispatch 7-14 working days
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£164.99Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 16:45
Estimated dispatch 7-14 working days
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