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  • £29.95

    Ignition Sequence - Jonathan Bates

    DURATION: 3'00". DIFFICULTY: 1st+. 'Ignition Sequence' was composed for Phoebe Mallinson and Tom Walgate with BD1 Brass for their appearance at the 2021 Wychavon Festival of Brass. The band's programme was inspired by the first British ESA Astronaut Time Peake and this work encapsulates the excitement and tension of a shuttle launch, accompanied by the sound of the countdown from the control centre. The solo parts are virtuosic in nature and show off the players' stylistic and technical abilities in this pseudo-jazz/funk-based short concert work.

    In Stock: Estimated dispatch 1-3 working days
  • £34.99

    Submerged... (Cornet Concerto No.2) - Jonathan Bates

    'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .

    In Stock: Estimated dispatch 1-3 working days
  • £22.00

    Clarion Alarum - Simon Dobson

    Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas. BrassBand Grade 5: 1st Section Duration: 2.5 minutes

    Estimated dispatch 5-14 working days
  • £76.99

    Flower Power

    Don Campbell has taken four songs which reflect the period of Flower Power and made a swingin' groovin' medley out of them. Put on your flares and sunglasses and enjoy the sound of the 60's.

    Estimated dispatch 5-14 working days

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  • £24.95

    The Swan (Trombone or Euphonium Solo with Brass Band - Score and Parts) - Steadman-Allen, Ray

    Featured by many Euphonium soloists over the years, the main aim of the soloist here is to re-create the sonorous sound of the cello, for which instrument it was set in its original form in 'Carnival of the Animals'.

    Estimated dispatch 7-14 working days
  • £12.50

    The Swan (Trombone or Euphonium Solo with Brass Band - Score only) - Steadman-Allen, Ray

    Featured by many Euphonium soloists over the years, the main aim of the soloist here is to re-create the sonorous sound of the cello, for which instrument it was set in its original form in 'Carnival of the Animals'.

    Estimated dispatch 7-14 working days
  • £19.99

    Clarion Alarum (Brass Band - Score and Parts) - Dobson, Simon

    Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band, contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns, euphoniums and tubas.Suitable for 1st Section Bands and aboveDuration: 2.30

    Estimated dispatch 7-14 working days
  • £65.00

    Four Sketches - Simon Dobson

    Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano, Head of Brass at the Royal College of Music, in recognition of the 25th anniversary of Benjamin Britten's death. The first movement, 'Fanfare',quotes directly from the opening violin melody from Britten's song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement, 'Prayer', is adefinite contrast, being and much more reflective and pensive in it's mood, and featuring a dream like euphonium cadenza. The third movement, 'Funeral March', builds from a soft chordal opening to a chaotic andconfusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses, before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off, withits jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax, making for an exciting conclusion to an excellent new work for the medium. Simon Dobson's 'Four Sketches' was the winningentry in the European Brass Band Composer Competition held in Brussels in March 2002.

    Estimated dispatch 5-14 working days
  • £54.99

    Hymnus Antverpiae - Jan Van der Roost

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.

    Estimated dispatch 5-14 working days
  • £54.99

    Cha Cha in the Street - John Emerson Blackstone

    The heat of South America radiates from this delightful cha cha, which incorporates the exotic sound of Latin-American percussion instruments. This light and sparkling work will be the hit at your next concert!

    Estimated dispatch 5-14 working days

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