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£24.95
Ave Maria - Johann Sebastian Bach, Charles Gounod - Ray Farr
There have been several settings of this Roman Catholic prayer to music, with the Bach/Gounod version being the most famous. It consists of the first prelude of Bach's The Well-Tempered Clavier plus a melody that Gounod wrote over this. Gounod...
Estimated dispatch 5-7 working days
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£29.95
Ave Maria - Franz Biebl - David Bremner
German composer Franz Xaver Biebl (1906 - 2001) was born in Pursruck, Bavaria. He studied composition in Munich and served as choir director at the Catholic church there and as an assistant professor of choral music at the Mozarteum Academy...
Estimated dispatch 5-7 working days
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£24.95
Concertino Catalonia - Jonathan Bates
Composed for the Flowers Band, this fiery-paced Spanish showpiece stays true to the 'concertino' name by featuring many sections within the band. Percussion gives the piece its rhythmic drive, whilst there are a number of individual contributions, starting with euphoniums...
Estimated dispatch 5-7 working days
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£29.95
Seaside Rendezvous - Freddie Mercury - Iain McKnight
There was no greater showman in the world of rock than Freddie Mercury and, for many, no greater group than Queen. The release in 2018 of the film Bohemian Rhapsody brought the sounds of Queen to a new generation as...
Estimated dispatch 5-7 working days
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£24.95
The Irish Washerwoman - Irish Traditional - Rodney Newton
The Irish jig is very fashionable within the traditions of Irish dance music and none more so than this particular favourite, The Irish Washerwoman. There are various forms of jig including the 'single jig', 'slip jig' and 'slide jig'. Written...
Estimated dispatch 5-7 working days
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£24.95
To a Higher Place - Paul Sharman
This Soprano Cornet solo is a 'song without words'. There is no specific word association; the music alone attempts to create an atmosphere of calm and serenity and transport you to another place in the way only music can. The...
Estimated dispatch 5-7 working days
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£34.95
MARCH OF THE HOURS (Brass Band Set) - Emil Soderstrom
March of the Hours was first performed at Star Lake Music Camp in 1962 with the composer supplying an informative listening guide which was printed in the published score; "The phrases are of 12 crotchets each (three bars) signifying the 12 hours. Up to the trio, the music describes the headlong search for pleasure by the thoughtless. Abruptly, the trio brings 'I need thee every hour', but an episode employing the original theme pushes it aside until it reappears, this time against a background of chimes of the full hour (Westminster chimes). While the hour strikes 12, a paraphrase of the opening strains of 'When the trumpet of the Lord shall sound and time shall be no more' is heard. Here the music stops, to be followed by the trumpet sounding (cornets and trombones) and the rest of the band responds with 'When the roll is called up yonder' with a final 'I'll be there'."
Estimated dispatch 7-14 working days
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£44.95
TRAILBLAZERS (Brass Band Set) - Andrew Mackereth
This overture draws its inspiration from the story of the first Household Troops Band. It tells the story of the 1887 band, the subsequent lull of nearly a hundred years and the re-awakening of the Troops phenomenon in 1985. It was originally written in 1995 and featured prominently by the band on its North American tour of 2002. Given the history of the Household Troops Band, it is fitting that this composition is preoccupied with marching. It begins with a marching song played by a solitary muted cornet, symbolic not only of the call to bandsmen to join the evangelical effort but also a muso-dramatic device to indicate the steady increase in members and technical ability! The music quickly develops into stirring versions of 'A robe of white' and 'Storm the forts of darkness' with two early day Salvation Army tunes crucially adding to the narrative; 'Marching on in the light of God' and 'Soldiers of our God, arise!' The second section is a reflective setting of the Herbert Booth song, 'The penitent's plea'. This song serves to represent the many people who were 'saved' during those early day campaigns. The expressive music transports the listener through a period of uncertainty and angst until finally reaching the song, 'There is a message, a simple message, and it's a message for us all'. The final section deals first with the emergence from the annals of history with the muted cornet figure again before, symbolically, the present day band bursts forth with an emphatic statement of 'Would you be free from your burden of sin? There's power in the blood'. The stirring climax represents a fitting tribute to those gallant pioneering musicians and their equally impressive and dedicated contemporaries.
Estimated dispatch 7-14 working days
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£44.95
TURRIS FORTISSIMA (Brass Band Set) - Steven Ponsford
The geographical position of Plymouth (the composer's home city) means that, at various times in history, the city has been the United Kingdom's first line of defence. A series of forts around the coast bears testimony to this and forts have featured on the city's coat of arms ever since. However, the city's forefathers believed that physical security was worthless without a faith in God's protection and this is reflected in the city motto; Turris fortissima est nomen Jehovah (The name of Jehovah is our strongest tower) (Proverbs 18:10). Written for Enfield Citadel Band's tour of the USA in 2007, the music attempts to portray this assurance with the use of the tune Ein' Fest Burg (A mighty fortress is our God) along with the more contemporary Blessed be the Name of the Lord and Shout to the Lord. There is also an apt reference to Dean Goffin's My Strength, My Tower as the music builds to its dramatic final bars.
Estimated dispatch 7-14 working days
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£34.95
COVENANTERS, The (Brass Band Set) - Kenneth Downie
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days