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£104.99High Flyers - Andrew R. Mackereth
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
Estimated dispatch 5-14 working days
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£44.95Powerhouse (Brass Band - Score and Parts)
Spirit divine, come as of old. So begins the song by Brindley Boon (S.A.S.B. 311), and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power (S.A.S.B. 365), Wonder-working power (S.A.S.B. 451) and the very old chorus Send a new touch of power on my soul, Lord (S.A.S.B. 785).The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.
Estimated dispatch 7-14 working days
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£39.86A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell
A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£35.87Verleih Uns Frieden (Brass Band) Mendelssohn arr. Edward Mylechreest
Felix Mendelssohn's stunning Choral Cantata has here been adapted to the brass band by Edward Mylechreest. A setting of Martin Luther's sacred words, this short piece is a staple of the choral canon and is widely regarded as a choral masterpiece. The hymn tune melody repeats three times throughout the piece (first from the trombones, then the horns, followed by a full band chorale), each time an emploring prayer and statement of the text. This arrangement can also be used for accompaniment to the original Chorale, remaining in the original Eb major key signature. Knowledge of the original piece will be of great benefit to the performer and conductor alike. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Tacet
In Stock: Estimated dispatch 1-3 working days
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£68.80When the Lights Go Down (Brass Band - Score and Parts) - Houben, Kevin
Kevin Houben created with When the Lights Go Down, a wonderful chorale that can be a moment of reflection in any concert program. The resigned, magnificent melodies at the beginning of this composition slowly build up to a highlight with an increasing orchestration. The piece starts with a suggestive Adagio Meditativo, after which the main theme is immediately announced. A central bridge section takes the listener along through the different spheres at which the melodic and rhythmic drums embellish the chorale melodies. Thematic elements from the introduction brings the piece to a quiet and peaceful end. The sheer simplicity with which this work is written, makes it a resplendent, magnificent concert piece. 'When the Lights Go Down', refers to a moment when time stand still for a while, stillness within and around yourself.Duration: 9.00
Estimated dispatch 7-14 working days
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£35.00Music Through The Ages - Steve Robson
A fun and educational collection of 7 pieces created by Steve Robson, with optional narration, providing a time-travelling journey through the history of 2000 years of music to the present time.Originally written for Stanhope Youth Band, the piece has now been well received by other youth bands far and wide. The complete work offers great flexibility too, as te movements can be used as stand-alone items or as a full concert performance, offering players and audiences an insight to the evolving styles of Music Through The Ages.Movements include:FanfareThe Passing of the VIth Legion A Patrol - Imagining the sound of the Roman Legion at Vindolanda (AD84)The Journey of St Cuthbert - A Plainchant (995)The Honorable Robert Shafto MP - Late Baroque Style (1749)The Very Capable Mr Mozart Classical Style - Rondo (1786)Sans Pareil March - Tribute to Timothy Hackworth and George Allan (1913)The Angel of the North - Contemporary composition (Present day)Watch a full performance below of the pieces, including narration. This was a collaborative performance project, presented by members of different youth bands from across the North East on Saturday 13 November 2018 in the Theatre at Ushaw College, Durham.(NB: The piece Galliard, performed at 12mins 22secs into the video, was specially written for the concert and is not included in this collection.)Look and Listen (with thanks to all participating youth bands and supporting players):Set includes score (with narration), separately bound narration (enable a choice of either compere/conductor presentation) and parts including:Cornet 1Cornet 2Corent 3FlugelhornEb Tenor Horn 1Eb Tenor Horn 2Baritone 1Baritone 2Trombone 1Trombone 2Bass TromboneEuphoniumEb BassBb BassTimpaniPercussionAdditional world parts also provided include F Horn 1, F Horn 2, Trombone 1 in Bass Clef, Trombone 2 in Bass Clef.
In Stock: Estimated dispatch 3-5 working days
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£40.00Activate - Matthew Hall
ActivateTop to bottom in less than 2 minutes! Originally composed for Tredegar Town Band under the direction of Ian Porthouse, Activate is a fantastic way to start any programme in a concert or on the contest stage.The original conception of Activate occurred when Tredegar had 18 minutes of a 20 minute contest programme and couldn't find a piece to start the performance to fit in the time slot.With funky bass lines, percussion and melody lines as well as some devilish rhythmical elements in the inner parts, Activate is a sure fire way of getting the audience's feet tapping.The trombone solo in the middle section of the piece can be substituted on to any other Bb instrument should the need occur, and the piece can also be started with a drum kit rhythm rather than straight into the first bar.Activate
Estimated dispatch 5-7 working days
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Wild Flower Variations - Traditional - Len Jenkins
The theme for this delightful piece is believed to be Spanish and was originally heard in a Mediterranean church over 30 years ago, sung by the local choir accompanied by local musicians. The theme is not stated separately, and the piece begins directly with the First Variation. The following Variations are subtly different from the First, yet both retain the essential warmth of the Mediterranean sun in their harmonic progression. A short Coda rounds off this relaxing and escapist siesta. Time to wake up...The piece is scored to be playable by most Third or Fourth Section bands.
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£100.00Terrible Symphony - Haakon Esplo
Let us present "Terrible Symphony" - the perfect piece for beginner or junior bands!This fun composition gives young musicians the opportunity to have a great time while driving the conductor crazy. The piece includes well-known themes from great symphonies, along with new music, and not least, lots of silliness and fun. All musicians can join in and come up with more pranks and humorous elements. The audience will laugh out loud and enjoy this crazy and entertaining, yet terrible symphony.Make your concert an unforgettable experience with "Terrible Symphony"!In the score, you will find instructions and suggestions for the conductor as the musicians become increasingly impossible.
Estimated dispatch 5-14 working days
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£68.80When the lights go down - Kevin Houben
Kevin Houben created with When the Lights Go Down, a wonderful chorale that can be a moment of reflection in any concert program.The resigned, magnificent melodies at the beginning of this composition slowly build up to a highlight with an increasing orchestration. The piece starts with a suggestive Adagio Meditativo, after which the main theme is immediately announced. A central bridge section takes the listener along through the different spheres at which the melodic and rhythmic drums embellish the chorale melodies. Thematic elements from the introduction brings the piece to a quiet and peaceful end.The sheer simplicity with which this work is written, makes it a resplendent, magnificent concert piece. 'When the Lights Go Down', refers to a moment when time stand still for a while, stillness within and around yourself.
Estimated dispatch 5-14 working days
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